Author Study and Index
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Susan Grace Galassi
"Whistler, Women, and Fashion" American Art Review May-June 2003 (Volume XV, Number 3)
Dolores M. Gall
"The New Haven Paint & Clay Club" American Art Review September-October 2000 (Volume XII, Number 5)
Aprile Gallant
Bernard Langlais -- The New York Years: 1956-1966; essay by Aprile Gallant (1/28/02)
Barbara Dayer Gallati
"The Paintings of Sarah Paxton Ball Dodson (18471906)" American Art Journal ( vol. 15, no. 1; 1983)
"The Shattuck Family: Aaron Draper Shattuck's Experiment in Narrative Content" American Art Journal ( vol. 20, no. 3; 1988)
American Art Review April-May 96, May-June 98
"John Singer Sargent Painting Children" American Art Review November-December 2004 (Volume XVI, Number 6)
Magazine Antiques William Merritt Chase and the French connection, July, 2000 by Barbara Dayer Gallati
Magazine Antiques The American watercolor in the 1920s, March, 1998 by Barbara Dayer Gallati
Magazine Antiques Thomas Wilmer Dewing, an artist against the grain, March, 1996 by Susan A. Hobbs, Barbara Dayer Gallati
Gregory Galligan
"The Morgan Russell Archives" American Art Review July-August 2006 (Volume XVIII, Number 4)
Miki Garcia
Chicano Art Crosses the Border; essay by Miki Garcia (8/28/06)
Johanna Garfield
"Will Barnet and the Family: From the Collection of the National Museum of American Art" American Art (Vol. 9 No. 1; Spring 1995)
Charlene Garfinkle
"Lucia Fairchild Fuller's 'Lost' Woman's Building Mural" American Art (Vol. 7, No. 1; Winter 1993)
Edith Garmezy
"Works on Paper by Joseph Pennell" American Art Review January-February 2004 (Volume XVI, Number 1)
Thomas Garver
"George Tooker" American Art Review July-October 1974 (Volume I, Number 5)
"Railroad Photographs of O. Winston Link" American Art Review
September-October 2000 (Volume XII, Number 5)
Timothy J. Garvey
"Garden Becomes Machine: Images of Suburbia in the Painting of Roger Brown" American Art (Vol. 3, No. 3; Summer 1989)
"Mysteriously Abandoned New Home: Architecture as Metaphor in the Early Sculpture of H. C. Westermann" American Art (Vol. 10, No. 1; Spring 1996)
Mary M. Gedo
"Manierre Dawson: The Prophet in His Own Country" American Art Review December 1977 (Volume IV, Number 3)
Katie Geha
William H. Gerdts [1]
"The Influence of Ruskin and Pre-Raphaelitism on American Still-Life Painting" American Art Journal ( vol. 1, no. 2; 1969)
"William Wetmore Story" American Art Journal ( vol. 4, no. 2; 1972)
"Revealed Masters, 19th Century American Art" American Art Review November-December 1974 (V olume I, Number 6)
"The American Painting Collection at the Brooklyn Museum" American Art Review September-October 1976 (Volume III, Number 5)
"Henry Inman: Genre Painter" American Art Journal ( vol. 9, no. 1; 1977)
"American Expatriate Painters of the Late 19th Century" American Art Review July 1977 (Volume IV, Number 1)
"The American 'Discourses': A Survey of Lectures and Writings on American Art, 17701858" American Art Journal ( vol. 15, no. 3; 1983)
"American Landscape Painting: Critical Judgments, 17301845" American Art Journal ( vol. 17, no. 1; 1985)
"'The Sea Is His Home': Clarence Cook Visits Fitz Hugh Lane" American Art Journal ( vol. 17, no. 3; 1985)
"A Deception Unmasked; An Artist Uncovered" American Art
Journal ( vol. 18, no. 2; 1986)
William Glackens, By William H. Gerdts / Essay by Jorge H. Santis, Published 1996, ISBN: 978-1-55859-868-3. (online book excerpt available from Abbeville Press) (right: catalogue front cover courtesy Abbeville Press)
"'Chicago Is Rushing Past Everything': The Rise of American Art Journalism in the Midwest, from the Development of the Railroad to the Chicago Fire" American Art Journal ( vol. 27, nos. 1 and 2; 19951996)
Bernhard Gutmann: An American Impressionist, By Percy North /
Introduction by William H. Gerdts, Published 1996, ISBN: 978-1-55859-611-5.
(online book excerpt from 
Abbeville
Press) (right: catalogue front cover courtesy Abbeville Press)
"Milton Brown (19111998): A Tribute" American Art (Vol. 12, No. 2; Summer 1998)
American Art Review August-September 95, September-October 96, December 96, March-April 98
""'Good Tidings' to the Lovers of the Beautiful": New York's Dsseldorf Gallery, 18491862" American Art Journal ( vol. 30, nos. 1 and 2; 1999)
"The World of Theodore Wores" American Art Review July-August 1999 (Volume XI, Number 4)
Childe Hassam, Impressionist, By Warren Adelson, Jay E. Cantor, and William H. Gerdts, Published 1999, ISBN: 978-0-7892-0587-2. (online book excerpt available from Abbeville Press) (right: catalogue front cover courtesy Abbeville Press)
"The Eight in Southern Collections" American Art Review July-August 2000 (Volume XII, Number 4)
A Walk in the Woods: The Art of John Elwood Bundy
"E. Charlton Fortune (1885-1969)" American Art Review July-August 2001 (Volume XIII, Number 4)
"The Art of John Elwood Bundy" American Art Review July-August 2002 (Volume XIV, Number 4)
"Martha Walter - A Retrospective" American Art Review September-October 2002 (Volume XIV, Number 5)
Collecting American Art - The Rubin Collection, essay by William H. Gerdts (4/9/03)
"The Golden Age of American Impressionism" American Art Review November-December 2003 (Volume XV, Number 6)
Some Thoughts on the Painting of William
H. Singer, Jr.; essay by William H. Gerdts (12/22/03)
American Impressionism (Second Edition), Published 2004, ISBN: 978-0-7892-0737-1, (online book excerpt from Abbeville Press) (right: catalogue front cover courtesy Abbeville Press)
Montclair Art Museum: The American Painting Collection, 1977, William Gerdts, "Introduction to the Collection", pp. 19-26 [status]
"The Adler Collection," American Drawings & Watercolors from the Collection of Susan and Herbert Adler, 1977, Neuberger Museum College at Purchase, SUNY (status)
William H. Gerdts & Nancy Hall-Duncan
"The Great American Nude" American Art Review July-August 2002 (Volume XIV, Number 4)
William H. Gerdts & Deborah E. Solon
"Colin Campbell Cooper, American Impressionist" American
Art Review September-October 2006 (Volume XVIII, Number 5)
Beth Ann Gerstein
No Boundaries: Contemporary Basketry; esssy by Beth Ann Gerstein (10/15/04)
Christian Gerstheimer
Norman A. Geske
"Ralph Albert Blakelock in the West" American Art Review January-February 1976 (Volume III, Number 1)
Linda Jones Gibbs
American Art Review October-November 95
150 Years of American Painting: 1794 - 1944 (4/13/99)
Charles A. Gilday
Magazine Antiques Moses B. Russell: Yankee miniaturist, Nov, 2002 by Randall L. Holton, Charles A. Gilday
Lucretia H. Giese
"James Goodwyn Clonney (18121867): American Genre Painter" American Art Journal ( vol. 11, no. 4; 1979)
"Winslow Homer's Civil War Painting The Initials: A Little-Known Drawing and Related Works" American Art Journal ( vol. 18, no. 3; 1986)
Lucretia H. Giese, Laura C. Luckey and Sandra Emerson
"Arthur C. Goodwin" American Art Review July-October 1974 (Volume I, Number 5)
Alma Gilbert / Alma Gilbert-Smith
Maxfield Parrish, 1870-1966; essay by Alma Gilbert (1997)
Maxfield Parrish: Master of Make-Believe; essay by Alma Gilbert (6/16/05)
"Maxfield Parrish, Master of Make-Believe" American Art Review January-February 2005 (Volume XVII, Number 1)
Alma Gilbert-Smith and Bob Mueller
"Coming Home: The Cornish Art Colony" American Art Review July-August 2006 (Volume XVIII, Number 4)
Barbara C. Gilbert
American Art Review June-August 96
Deborah Gilbert
"Rediscovering Albert Thomas DeRome" American Art Review March-April 2005 (Volume XVII, Number 2)
Leanne Gilbertson
Jann Haynes Gilmore
"Ethel P. B. Leach: Her Life & Work" American Art Review May-June 1999 (Volume XI, Number 3)
"Delaware Women Artists: 1900-1950" American Art Review March-April 2002 (Volume XIV, Number 2)
"Artist Greeting Cards" American Art Review November-December
2007 (Volume XIX, Number 6)
Stephen Gleissner
Sue Jean Covacevich: Pioneer Kansas Abstract Artist, with article by Stephen Gleissner (7/10/06)
Fairfield and Friends: Art from the Commerce Bank Collection; essay by Stephen Gleissner (1/31/06)
Focus on the Collection: Earth Cruiser by David E. Bernard; article by Stephen Gleissner (1/217/05)
Stephen Glueckert
Inez Storer; article by Stephen Glueckert (8/1/05)
Stephen Goddard
"Remembering the Family Farm" American Art Review March-April 2001 (Volume XIII, Number 2)
Joseph Goddu
Magazine Antiques The making of Audubon's The Birds of America, Nov, 2002 by Joseph Goddu
Stephen J. Goldfarb
"Howard Cook: Drawings of Alabama" American Art Review January-February
2007 (Volume XIX, Number 1)
Mary Anne Goley
American Art Review August-September 95, December 96
E. H. Gombrich
"The State of Art History: A Plea for Pluralism" American Art Journal ( vol. 3, no. 1; 1971)
Lloyd Goodrich
"'The Arts' Magazine: 192031" American Art Journal ( vol. 5, no. 1; 1973)
Christian Goodwillie & Jane Crosthwaite
"Hancock Shaker Village" American Art Review May-June 2004 (Volume XVI, Number 3)
Frank H. Goodyear, Jr.
"Contemporary Realism: The Challenge of Definition" American Art Review November 1978 (Volume IV, Number 6)
"Ironworkers: Noontime" American Art Review January-February 1974 (Volume 1, Number 2)
The Pennsylvania Academy: In this Academy, 1976, Frank Goodyear, "A History of the Pennsylvania Academy of the Fine Arts, 1805-1906", pp. 12-48 [status]
The Pennsylvania Academy: In this Academy, 1976, Frank Goodyear, "American Landscape Painting", pp. 122-137 [status]
The Pennsylvania Academy: In this Academy, 1976, Frank Goodyear, "The Eight", pp, 188-228 [status]
The Eight; essay by Frank H. Goodyear Jr (8/1/08)
American Landscape Painting, 1795-1875; essay by Frank H. Goodyear Jr (8/1/08)
Beverly Gordon
American Indian Art: The Collecting Experience, By Beverly Gordon,
Melanie Herzog. Published 1988 by Chazen Museum of Art. 72 pages. ISBN:0932900186.
Google Books says: 
"Even the earliest European
explorers to the Americas collected objects made by native people. The ongoing
fascination with the artistic and cultural expressions of American Indian
people is documented historically, along with a close look at seven midwestern
collections. The wide array of art encompassed is handsomely illustrated,
and includes pottery, weavings, basketry, beadwork, and carvings.Distributed
for the Chazen Museum of Art, University of WisconsinMadison."
Note: Google Books offers a Limited
Preview of this book. For more information on this and other digitizing
initiatives from publishers please click here
and here. (right:
front cover, American Indian Art: The Collecting Experience, image
courtesy Google Books)
Arshile Gorky
"Stuart Davis, 1931" American Art Review May-June 1975 (Volume II, Number 3)
Marc Gotlieb
Art Bulletin Inventing the Modern Artist: Art and Culture in Gilded Age America.(book review) Sept, 2000 by Marc Gotlieb
Thalia Gouma-Peterson
"Miriam Schapiro: An Art of Becoming" American Art (Vol. 11, No. 1; Spring 1997)
Trudie Grace
Magazine Antiques Methods of American printmaking, 1830s to 1930s, Feb, 1999 by Trudie Grace
Linda Engh-Grady and Scott J. Tanner
"Winold Reiss: Artist for the Great Northern" American Art Review July-August 2005 (Volume XVII, Number 4)
Steven L. Grafe
Richard Grassby
American Art Review October-November 94 (status)
Magazine Antiques The Marine Paintings of James Edward Buttersworth, July, 1994 by Richard B. Grassby
Michael R. Grauer
Emilio Caballero: Artista y Maestro en El Llano, article by Michael Grauer (8/23/01)
"Frank Reaugh and his Students" American Art Review September-October 2001 (Volume XIII, Number 5)
"Panhandle-Plains Historical Museum" American Art Review November-December 2001 (Volume XIII, Number 6)
"Neighbors: Texas Artists in New Mexico" American Art Review July-August 2003 (Volume XV, Number 4)
W. Herbert Dunton and American Art; essay by Michael Grauer (9/23/03)
"The Founding of the Santa Fe Art Colony" American Art Review July-August 2004 (Volume XVI, Number 4)
"Women Artists of Santa Fe" American Art Review September-October 2004 (Volume XVI, Number 5)
Women Artists of Santa Fe; essay by Michael R. Grauer (11/26/04)
Granville Bruce: Old Texas; with essay and podcast by Michael Grauer (8/12/05)
Picturing Palo Duro, with text by Michael Grauer (12/5/05)
Jack Sorenson: In Palo Duro's Shadow; with text by Michael Grauer (12/`1/06)
"Women Artists of Texas, 1900-1960" American Art Review November-December 2006 (Volume XVIII, Number 6)
"Urban Texas: Changing Images of an Evolving State" American
Art Review November-December 2007 (Volume XIX, Number 6)
Jim Graves
Mabel Alvarez, 1891-1985, essay by Jim Graves (10/9/02)
Campbell Gray
Intersections; essay by Campbell Gray (5/16/03)
Don Gray
John Koch: Intimate Realism; essay by Don Gray (7/22/02)
Edward Hopper: Melancholy Realist; essay by Don Gray (7/22/02)
The Honesty of Thomas Eakins; essay by Don Gray (7/22/02)
Grant Wood: Regionalist; essay by Don Gray (7/22/02)
Andrew Wyeth; essay by Don Gray (7/22/02)
Alfred Stieglitz: Entrepreneur of Modern Art; essay by Don Gray (7/22/02)
The Challenge of Thomas Hart Benton; essay by Don Gray (2/4/02)
Milton Avery: Elemental or Simplistic?; essay by Don Gray (2/4/02)
Eleanor Jones Harvey & Lyle C. Gray
"Dallas Museum of Art" American Art Review November-December 2001 (Volume XIII, Number 6)
Nina Gray and Suzanne Smeaton
"Within Gilded Borders: The Frames of Stanford White" American Art (Vol. 7, No. 2; Spring 1993)
Kerry Greaves
Pierre Daura: Reflections and Creations, essay by Kerry Greaves (10/15/02)
Eleanor Green
"Ernst Damitz, German-American Naive Painter" American Art Review July 1977 (Volume IV, Number 1)
Nancy E. Green
"Arthur Wesley Dow: American Arts & Crafts" American Art Review November-December 1999 (Volume XI, Number 6)
Herbert Johnson Museum of Art: Cornell Collects, 1990, Nancy Green, "Nineteen Century Prints", pp. 81 to 94 [status]
Herbert Johnson Museum of Art: Cornell Collects, 1990, Nancy Jarzombek and Nancy Green, "Art of Today", 135-142 (with conclusion) [status]
Rayna Green
"The Mickey Mouse Kachina: From the Collection of the National Museum of American Art" American Art (Vol. 5, No. 1-2; Winter/Spring 1991)
Vivien M. Green
"Hiram Powers's Greek Slave: Emblem of Freedom" American Art Journal ( vol. 14, no. 4; 1982)
Alison de Lima Greene
American Art Review Spring 93, February-March 96
Crossing State Lines: Texas Art from the Museum of Fine Arts, Houston (9/24/00)
Adam Greenhalgh
"'Darkness Visible': A Twilight in the Catskills by Sanford Robinson Gifford" American Art Journal ( vol. 32, nos. 1 and 2; 2001)
Jennifer A. Greenhill
"Playing the Fool: David Claypoole Johnston and the Menial Labor of Caricature" American Art (Vol. 17, No. 3; Fall 2003)
Wendy Greenhouse
"Chicago Modern, 1893-1945" American Art Review July-August 2004 (Volume XVI, Number 4)
Susan C. Larsen, Wendy Greenhouse & Susan S. Weininger
"Chicago Painting 1895 to 1945: The Bridges Collection" American Art Review March-April 2000 (Volume XII, Number 2)
Sarah Greenough
" The Art of the American Snapshot, 1888-1978" American Art Review September-October 2007 (Volume XIX, Number 5)
Kathryn T. Greenthal and Michael Richman
"Daniel Chester French's Continents" American Art Journal ( vol. 8, no. 2; 1976)
Richard N. Gregg
Salute to Norman Rockwell; essay by Richard N. Gregg (4/13/05)
Anne T. Goodman: Paintings and Sculpture; essay by Richard N. Gregg (4/13/05)
Eva Greguski
"William Moore Davis" American Art Review November-December 2002 (Volume XIV, Number 6)
"William Sidney Mount: The Education of an Artist" American Art Review March-April 2007 (Volume XIX, Number 2)
Randall R. Griffey
"Marsden Hartley's Lincoln Portraits" American Art (Vol. 15, No. 2; Summer 2001)
"Bingham to Benton: The Midwest as Muse" American Art Review March-April 2005 (Volume XVII, Number 2)
Randall C. Griffin
"Thomas Anshutz's The Ironworkers' Noontime : Remythologizing the Industrial Worker" American Art (Vol. 4, No. 3-4; Summer/Fall 1990)
Larry L. Griffis
American Art Review June-July 95
Amy V. Grimm
New Visions: Julie Bozzi - Contemporary Landscapes, by Amy V. Grimm (3/8/05)
Nancy Whipple Grinnell
American Art Review November 96
Following the Thread: Contemporary and Historic Rhode Island Quilts (9/21/00)
Envisioning New England: Treasures from Community Art Museums (1/16/03)
"Picturing the Page: A Legacy of Artist Illustrators" American
Art Review January-February 2006 (Volume XVIII, Number 1)
Nancy Whipple Grinnell & Elizabeth Ives Hunter
"Envisioning New England" American Art Review November-December 2004 (Volume XVI, Number 6)
Kevin Grogan
"The Morris Museum of Art" American Art Review July-August 2007 (Volume XIX, Number 4)
Barbara S. Groseclose
"Washington Crossing the Delaware: The Political Context" American Art Journal ( vol. 7, no. 2; 1975)
"The Hudson and The Rhine Exhibition" American Art Review July-August 1976 (Volume III, Number 4)
"Painting, Politics, and George Caleb Bingham" American Art Journal ( vol. 10, no. 2; 1978)
"Harriet Hosmer's Tomb to Judith Falconnet: Death and the Maiden" American Art Journal ( vol. 12, no. 2; 1980)
"Vanity and the Artist: Some Still-Life Paintings by William Michael Harnett" American Art Journal ( vol. 19, no. 1; 1987)
Nancy Grove
C. Grow & J.Thomas
"National Museum of the Marine Corps" American Art Review
November-December 2006 (Volume XVIII, Number 6)
Francis Grubar
"Ranney's The Trapper's Last Shot" American Art Journal ( vol. 2, no. 1; 1970)
Marion Grzesiak
American Art Review February-March 94
Charles A. Guerin
Colorado Springs Fine Art Center, Colorado Springs Fine Art Center: History of Collections, 1986, Charles A. Guerin, "The Fine Arts Collection, A Reflection of the American Scene" (pp. 127-132) [status]
Sharon Gustafson
"Early Nebraska Women Artists 1880-1950," Early Nebraska Women Artists 1880-1950, 2001, University of Nebraska, Lincoln (status)
Dolores Gunnerson
Thomas Berger Johnson, Nebraska Artist,
1890-1968; article by Dolores Gunnerson (8/1/03)
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