American Art Colonies


Articles and essays from Resource Library, followed by resources from other Web sites:

 

Art Colonies (general information)

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Blue Dome Group

 

Byrdcliffe Art Colony

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Cape Ann Art Colony

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Carmel/Monterey Peninsula Art Colony

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Cos Cob Art Colony

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Dublin Art Colony

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East End Art Colony

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Hampton Bays Art Colony

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Hudson River School

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Laguna Art Colony

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Los Angeles Art Colony

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Lyme Art Colony

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Matunuck Art Colony

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Mississippi Art Colony

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Monhegan Island Art Colony

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Mystic Art Association

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New Hope Art Colony

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Ogunquit Art Colony

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Provincetown Art Colony

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Richmond Art Colony

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Ridgefield Art Colony

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Rockport Art Colony

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Roycroft Art Colony

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San Diego Art Colony

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San Francisco Area Art Colonies

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Santa Barbara Art Colony

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Santa Fe Art Colony

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Scalp Level School

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Seguinland

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Shinnecock Art Colony

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St. Augustine Art Colony

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Taos Art Colony

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White Mountains Art Colony

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Woodstock Art Colony

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Information from the Web concerning art colonies not covered by Resource Library articles and essays:

 

Information on related books:

Google announced in 2004 a collaboration with institutional libraries to digitize large quantities of books: the Google Books Library Project. Public domain books are available on an open access basis. Copyrighted material is treated in one of three ways. Google negotiates with cooperating publishers through its Google Books Partner Program for "Limited Preview" of entire pages or sections within books by readers. For scanned books without copyright permissions, "snippets" are available. For remaining books basic information is provided without ability to search within the book. The snippets inform readers about the relevance of the book to their subject of inquiry.

A Google Book Search conducted April 26, 2008 located 13 books featuring either full view or limited view with the search phrase "American art colonies." An example is:

The Cos Cob Art Colony: Impressionists on the Connecticut Shore, By Susan G. Larkin, National Academy of Design (U.S.), Museum of Fine Arts, Houston, Denver Art Museum. Published 2001 by Yale University Press. 246 pages. ISBN:0300088523. Google Books says: "What Argenteuil in the 1870s was to French Impressionists, Cos Cob between 1890 and 1920 was to American Impressionists Childe Hassam, Theodore Robinson, John Twachtman, J. Alden Weir, and their followers. These artists and writers came together to work in the modest Cos Cob section of Greenwich, Connecticut, testing new styles and new themes in the stimulating company of colleagues. This beautiful book is the first to examine the art colony at Cos Cob and the role it played in the development of American Impressionist art.During the art-colony period, says Susan Larkin, Greenwich was changing from a farming and fishing community to a prosperous suburb of New York. The artists who gathered in Cos Cob produced work that reflects the resulting tensions between tradition and modernity, nature and technology, and country and city. The artists' preferred subjects -- colonial architecture, quiet landscapes, contemplative women -- held a complex significance for them, which Larkin explores. Drawing on maritime history, garden design, women's studies, and more, she places the art colony in its cultural and historical context and reveals unexpected depth in paintings of enormous popular appeal." Note: Google Books offers a Limited Preview of this book. For more information on this and other digitizing initiatives from publishers please click here and here. (left: front cover, The Cos Cob Art Colony: Impressionists on the Connecticut Shore, image courtesy Google Books)

American Art Colonies, 1850-1930: A Historical Guide to America's Original Art Colonies and Their Artists, By Steve Shipp. Published 1996 by Greenwood Publishing Group. Art, Modern. 192 pages. ISBN:0313296197. Google Books says: "Some of America's most influential artists of the late 19th and early 20th centuries are featured, along with a concise overview of the colonies in which they worked. These colonies ranged from Carmel-Monterey in California to Gloucester-Rockport in Massachusetts to Taos and Santa Fe in New Mexico. Some of the artists are famous today, such as Georgia O'Keeffe, while others were well known at the time and added to the name recognition of their particular colonies. Scholars, students, and anyone interested in American Art History will find valuable information on how the closeness of colonies can affect and influence artists. For most artists, interest in art colonies began in the mid-1800s in Europe, where they had gone to live, work, and study. On returning to America, they continued what they believed was a practice that benefited their personal maturity as professional artists--living in a major city such as New York during the winter and spending summers with other working artists in art colonies. The impact of those early artists can be seen in the paintings of many of today's artists." Note: Google Books offers a Limited Preview of this book. For more information on this and other digitizing initiatives from publishers please click here and here.

 

Information on related online videos:

 

Information on related DVD or VHS videos:

A Certain Light is a 15 minute 1991 videotape of the story of the Lyme Art Colony and the Florence Griswold Museum. Engaging narrative with paintings, antique photos, and period music.
 
Art Colonies in America: The American Impressionist. Of this 46 minute 2004 DVD directed by Albert J. Kallis, National Film Network says: "This film studies four colonies: Cos Cob and Old Lyme, Connecticut, Shinnecock, Long Island, and Laguna Beach, California... Each colony had its own unique flavor. Each colony had a devoted core of resident artists. Each colony possessed a distinctive geographic location. The common thread connecting them was the rise and spread of impressionist practices in America. Painting en plein air, artists explored the landscape around them: domesticated in some areas, much more primitive in others, but yet all painted with the verve, color, and spontaneity that define American Impressionist painting... Art Colonies in America presents the backdrop from which Impressionism emerged in Europe and was adopted by American painters. Visually spectacular and painstakingly researched, the film offers viewers a comprehensive and fascinating account of this defining moment in the history of American painting."
 
Art in Its Soul: Perspectives of an Art Colony, . "This video traces the evolution of the quaint town of Provincetown, on Cape Cod, as a major art colony through oral history, archival footage and works of art. Artists recall the early 1900s when students from around the world came to study here with Charles Hawthorne." 28 minutes (text courtesy Georgia Museum of Art)
 
Dublin Art Colony Collection at the Thorne-Sagendorph Art Gallery, The 30-minutes. This video, produced and narrated by Paul Tuller, former president of the Dublin Historical Society -- available to libraries throughout New Hampshire -- explains and illustrates in detail the artists and the history of the colony, which flourished around Mount Monadnock in the late 19th century and into the mid 20th century. The video shows many of the wonderful paintings created by this prolific group of 30 artists in the Dublin Colony.
 
Hudson River and its Painters, The is a 57 minute 1988 video from the Metropolitan Museum of Art Series released by Home Vision Entertainment. The mid-nineteenth century saw the growth of America's first native school of landscape painters, artists inspired by the compelling beauty of the Hudson River Valley, who portrayed this and other romantic wilderness areas with an almost mystical reverence. This 57 minute video explores the life and work of the major artists of what came to be known as the Hudson River School -- Thomas Cole, Asher Durand, Frederic Church, Albert Bierstadt, John Kensett, Jasper Cropsey, Worthington Whittredge, Sanford Gifford, and George Inness. Although its members traveled widely, the growth and development of the school were centered around New York City, and its success reflected the ambitions of the youthful American nation. It presents more than 200 paintings, prints and photographs of the period and juxtaposes them with dramatic location photography of the Hudson River area. The Hudson Company in association with The Metropolitan Museum of Art. Hudson River and its Painters, The is available through the Sullivan Video Library at The Speed Art Museum which holds a sizable collection of art-related videos available to educators at no charge.
 
MacDowell Colony: An American Artist's Colony. 1 hour. Available through Currier Museum of Art.
 
Once Upon a Time in Old Lyme: The Story of an American Art Colony is a 19 minute DVD produced by the Florence Griswold Museum in 2007. It was brought to TFAO's attention by Tammi Flynn of the Florence Griswold Museum and Shana Herb Johannessen. See Part 1 [9:50] and Part 2 [9:38] of the video.

TFAO does not maintain a lending library of videos or sell videos. Click here for information on how to borrow or purchase copies of VHS videos and DVDs listed in TFAO's Videos -DVD/VHS, an authoritative guide to videos in VHS and DVD format

As of 5/20/11 TFAO Free Online Digital Library contained 445 references to the phrase "Art Colony" via search.

Contents listed within Topics in American Representational Art are largely derived from articles and essays in Resource Library, which is a publication of Traditional Fine Arts Organization.Where identified and available, included with each topic are also listings of:

-- books published on paper that are devoted exclusively to the topic
-- magazine articles published on paper that are devoted exclusively to the topic
-- DVD and VHS videos devoted exclusively to the topic (see Videos for examples)
-- online audio files with substantial content devoted to the topic (see Audio Online for examples)
-- online video files with substantial content devoted to the topic (see Videos Online for examples)
-- online texts not published in Resource Library, with substantial content devoted to the topic (see Articles and Essays Online for examples)
-- online museum exhibitions devoted exclusively to the topic
-- websites devoted exclusively to the topic

For teachers and students wishing to study American art history from additional perspectives such as race and ethnic orientation, Resource Library contains texts related to a plethora of subjects. An easy way to identify specific texts is to use Resource Library's search feature, as articles and essays are fully indexed. Since American art museums often focus on local art history, an index to assist in identification of articles and essays with a regional focus is useful. See Resource Library's Sources of Articles and Essays Indexed by State within the United States for a handy guide.

TFAO welcomes volunteers to further the broadening of knowledge of American representational art. To learn more about TFAO's many volunteer opportunities please click here. Qualified volunteers are welcome to contribute suggestions for additional content in this catalogue. Please see Catalogue and database management for details.

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