American Installation Art
This section of the Traditional Fine Arts Organization (TFAO) catalogue Topics in American Art is devoted to the topic "American Installation Art." Articles and essays specific to this topic published in TFAO's Resource Library are listed at the beginning of the section. Clicking on titles takes readers directly to these articles and essays. The date at the end of each title is the Resource Library publication date.
Following the listing of Resource Library articles and essays is the heading "TFAO references." The count of pages in the TFAO website citing relevant keywords is an indicator of our breadth of coverage for this topic. We recommend that readers search within the TFAO website to find detailed information for any topic. Please see our page How to research topics not listed for more information.
After "TFAO references" are links to valuable online resources found outside our website. Links may be to museums' articles about exhibits, plus much more topical information based on our online searches.
Following online resources is information about offline resources including museums, DVDs, and paper-printed books, journals and articles.
We welcome suggestions for additional content by sending an email to ..
What is Installation Art?
The Wikipedia entry for Installation art says it is "...an artistic genre of three-dimensional works that are often site-specific and designed to transform the perception of a space. Generally, the term is applied to interior spaces, whereas exterior interventions are often called public art, land art or intervention art; however, the boundaries between these terms overlap."
Articles and essays from Resource Library in chronological order:
As of 10/14/13 TFAO Digital Library contained: 483 pages referencing the phraase "installation artist."
From other web sites:
Anthony Sonnenberg: Time after Time after Time, an exhibit held September 28th, 2013 - January 19th , 2014 at the Old Jail Art Center. Includes artist interview by Patrick Kelly, Curator of Exhibitions. Accessed April, 2015.
Andrea Dezsö: Haunted Ridgefield, an installation presented October 31 to December 31, 2011 at the Aldrich Museum of Contemporary Art. Accessed August, 2015.
Bill Davenport, an exhibit held February 4th - May 20th, 2012 at the Old Jail Art Center. Includes artist interview by Patrick Kelly, Curator of Exhibitions. Accessed April, 2015.
Brad Kahlhamer: Bowery Nation, an installation presented July 15, 2012, to February 24, 2013 at the Aldrich Museum of Contemporary Art. Accessed August, 2015.
Brad Tucker, an exhibit held June 1st - September 1st, 2013 at the Old Jail Art Center. Includes artist interview by Patrick Kelly, Curator of Exhibitions. Accessed April, 2015.
Brian Knep: Deep Wounds, an installation presented July 15, 2012, to February 24, 2013 at the Aldrich Museum of Contemporary Art. Accessed August, 2015.
Camp Bosworth: El Otoro Lado, an exhibit held June 7th - September 7th, 2014 at the Old Jail Art Center. Includes artist interview by Patrick Kelly, Curator of Exhibitions. Accessed April, 2015.
Carmen Argote: Workbook / Notebook is a 2016 exhibit at the Armory Center for the Arts, which says: "This two-part exhibition by Los Angeles-based artist Carmen Argote communicates the complexity of routine pedagogical exercises that reveal the inner process of second language learners." Accessed 11/16.
Dave Cole: Flags of the World, an installation presented February 14 to June 9, 2009 at the Aldrich Museum of Contemporary Art. Accessed August, 2015.
Come on Down by Lisa Hoke, an exhibit held December 13, 2013 - April 13, 2014 at the Oklahoma City Museum of Art. Includes online video. Accessed April, 2015.
Cristi Rinklin: Diluvial, an installation presented June 9, 2012 - Sept. 9, 2012 at the Currier Museum. Includes 04:01video and brochure. Accessed August, 2015.
Edward Kienholz and Nancy Reddin Kienholz: The Jesus Corner, an exhibit held September 13, 2013 - January 30, 2014 at the Missoula Art Museum. Includes video. Accessed March, 2015.
Enrique Martínez Celaya: Burning as It Were a Lamp, an exhibit held July 12 through August 10, 2014 at the Hood Museum of Art. Includes press release and media coverage. Accessed January, 2015.
Ester Partegàs: The Invisible Main Street Sculpture Project, an installation presented March 9 - August 10, 2008 at the Aldrich Museum of Contemporary Art. Accessed August, 2015.
Exploring the Currier Inside Out: Andrew Witkin, Among Others, an installation presented Jan. 11, 2014 - May 11, 2014 at the Currier Museum. Includes 06:09 video and flyer. Accessed August, 2015.
Frank Poor: Enon Cemetery, Main Street Sculpture Project, an installation presented February 7 to May 24, 2009 at the Aldrich Museum of Contemporary Art. Accessed August, 2015.
I Heard a Voice: The Art of Lesley Dill, an exhibit held May 15 - September 13, 2009 at the Smith College Museum of Art. Includes catalogue. Accessed April, 2015.
James Grashow: Corrugated Fountain, an installation presented April 1 to May 12, 2012 at the Aldrich Museum of Contemporary Art. Accessed August, 2015.
Jean Shin: Common Threads, an exhibit held May 1, 2009 - July 26, 2009 at the Smithsonian American Art Museum. Includes brochure, online video and press coverage. Accessed April, 2015.
Jane South: Floor/Ceiling, an installation presented March 24 to August 25, 2013 at the Aldrich Museum of Contemporary Art. Accessed August, 2015.
Jim Hodges: With Liberty and Justice for All (A Work in Progress), is a 2016 installation at the Contemporary Austin, Moody Rooftop at the Jones Center. Heather Pesanti, Senior Curator, says: "...Characteristic of his use of succinct but powerful gestures, as well as his interest in language to convey open-ended concepts, With Liberty and Justice for All (A Work in Progress), 2014, consists of the title's words "With Liberty and Justice for All" spelled out in seven-foot-tall letters spanning two sides of The Contemporary Austin's Moody Rooftop at the Jones Center. During the day, the letters' iridescent, mirrored surfaces oscillate between blues, purples, oranges, and pinks, reflecting the environment around them. At dusk, the letters remain visible, lit from within to transform the work into a magnificent sculpture of color and light." Accessed 12/16
Justin Boyd: Time Has Slipped Rows, an exhibit held June 2nd - September 9th, 2012 at the Old Jail Art Center. Includes artist interview by Patrick Kelly, Curator of Exhibitions. Accessed April, 2015.
Kana Harada, an exhibit held February 2nd - May 20th , 2013 at the Old Jail Art Center. Includes artist interview by Patrick Kelly, Curator of Exhibitions. Accessed April, 2015.
Lita Albuquerque: Particle Horizon, an exhibit held October 12, 2014 - January 18, 2015 at the Laguna Art Museum. Accessed February, 2015.
Mandy Greer: The Ecstatic Moment, an exhibit held June 7 - September 14, 2014 at the Hudson River Museum. Includes online video. Accessed August, 2015.
Michael Craig-Martin: Drawings, an exhibit held January 11 - February 17, 2012 at Luther W. Brady Art Gallery. Includes video and article. Accessed August, 2015.
Pueblo Revolt by Virgil Ortiz: 2016 Artist-in-Residence is a 2016-17 installation at the Albuquerque Museum, which says: "...famed artist Virgil Ortiz will bring a futuristic world with deep roots in New Mexico's past. For the last 15 years, Ortiz, of Cochiti Pueblo, has focused on the Pueblo Revolt of 1680." Accessed 11/16. Also see "Art installation portrays 1680 pueblo rebellion" 9/11/16 By Wesley Pulkka in Albuquerque Journal. Accessed 11.16
Sam Van Aken: New Edens is a 2011 exhibit at Schmucker Art Gallery, Gettysburg College. Download the 22-page exhibit catalog published by Schmucker Art Gallery, with essay by Shannon Egan, Ph.D., Director, Schmucker Art Gallery, which says: "While it is rather rare for a sculptor to have such extensive and quite serious horticultural expertise as Van Aken, his interest in the literal act of creation as an artistic process provides quite fertile ground (pun intended) for examining the nature of contemporary art." Accessed 10/16.
The Seen & the Unseen: Annie Waldrop, an exhibit held July 3 - September 26, 2015 at the Turchin Center for the Visual Arts at Appalachian State University. Includes gallery guide. Accessed December, 2015.
Serge Spitzer: Still Life, an installation presented April 29 - July 13, 2008 at the Aldrich Museum of Contemporary Art. Accessed August, 2015.
Simone Leigh is a 2016-17 Hammer Projects exhibit at the Armand Hammer Museum of Art and Cultural Center, which says: "Working across ceramics, sculpture, video, installation, and social practice, Simone Leigh examines the construction of black female subjectivity and economies of self-preservation and exchange. Her practice is largely research based and intersectional, and considers a range of sources, including ethnography, feminist discourse, folklore, and histories of political resistance." An essay by Jamillah James is included. Accessed 11/16.
The Stuart Collection maintains site-specific outdoor installations by noted artists throughout the US San Diego campus. Accessed December, 2015.
Terri Thornton - Binary System, an exhibit held September 25th, 2010 - January 23rd, 2011 at the Old Jail Art Center. Includes artist interview by Patrick Kelly, OJAC Preparator. Accessed April, 2015.
Timothy Noble: The Semi-Automatic Chalkboard, an installation presented December 13, 2013 - April 22, 2014 at the Burchfield - Penney Art Center. Accessed August, 2015.
Whitfield Lovell: Deep River, an exhibit held August 15, 2014 - February 1, 2015 at the Telfair Museum of Art. Accessed April, 2015.
Unipkaa!usiksu!uvik (the place of the future/ancient) was a 2016 exhibit at the Anchorage Museum at Rasmuson Center, which says; "This multimedia installation and two-month performance by Anchorage-based Iñupiaq artist Allison Akootchook Warden takes the form of an Iñupiat ceremonial qargi. Warden's version is a futuristic recreation of a ceremonial house, where she allows her audience to gently explore these spaces in a contemporary context." Accessed 11/16
The North Dakota Museum of Art presented in 2004 an installation by video artist Mary Lucier titled Mary Lucier: The Plains of Sweet Regret, which contains a video clip from the installation comprising an 18 minute loop of synchronized DVD video on four plasma monitors. [Link found to be expired as of 2015 audit. TFAO is saving the citation for use by researchers.]
The California/International Arts Foundation, founded in 1981, organizes and tours contemporary art exhibitions. The Foundation initiated artsconversations.org as a permanent archive for programming seen on www.netropolitan.org. Dozens of artist interviews are contained in the visual arts section of the archives. Lyn Kienholz interviewed Michael C. McMillen, creator of large-scale installation pieces and small-scale sculptures, in two two-part videos. A studio interview was filmed August, 2001 and another two-part video interview conducted at an unspecified date. Accessed April, 2015.
The WGBH/Boston Forum Network is an audio and video streaming web site dedicated to curating and serving live and on-demand lectures, including a number of videos on Art and Architecture. Partners include a number of museums, colleges, universities and other cultural organizations. See listings of related videos in this catalogue indexed by partner name. Museum of Contemporary Art, North Miami partnered with the WGBH Forum Network for Jonathan Peck: Installations by Jonathan Peck, installation artist. (7 minutes) Jonathan Peck's installations explore personal representations of people and memories through the use of crayon and crepe paper and are part of the New Art: South Florida exhibit at MOCA North Miami's Goldman Warehouse. [September 4, 2007] Accessed May, 2015.
Return to Topics in American Representational Art
Individual pages in each catalogue are continuously amended as TFAO adds content, corrects errors and reorganizes sections for improved readability. Refreshing or reloading pages enables readers to view the latest updates.
Links to sources of information outside of our web site are provided only as referrals for your further consideration. Please use due diligence in judging the quality of information contained in these and all other web sites. Information from linked sources may be inaccurate or out of date. TFAO neither recommends or endorses these referenced organizations. Although TFAO includes links to other web sites, it takes no responsibility for the content or information contained on those other sites, nor exerts any editorial or other control over them. For more information on evaluating web pages see TFAO's General Resources section in Online Resources for Collectors and Students of Art History.
Search Resource Library
Copyright 2016 Traditional Fine Arts Organization, Inc., an Arizona nonprofit corporation. All rights reserved.