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2007 Resource Library articles and essays with the topic "Mid-Atlantic Art: 20-21st Century Northeast and Mid-Atlantic Painting (for years 1997-2000 includes Southeast and Southern American Paintings)"
Introduction
This section of the Traditional Fine Arts Organization (TFAO) catalogue Topics in American Art is devoted to the topic "Mid-Atlantic Art: 20-21st Century Northeast and Mid-Atlantic Painting (for years 1997-2000 includes Southeast and Southern American Paintings)." Clicking on titles takes readers directly to the articles and essays. The date at the end of each title is the date of publication in Resource Library.

(above: Edward Mitchell Bannister (1828-1901), Boston Street Scene (Boston Common), c. 1898-99, oil on panel, 8 x 5.5 in. Walters Art Museum, Museum purchase with funds provided by the Eddie and Sylvia Brown Challenge Grant and matching funds, 2002. Public domain, via Wikimedia Commons^)
Our articles and essays honoring the American experience through its art:
Jeff Weaver: Gloucester Paintings and Drawings (12/17/07)
Lines of Discovery: American Drawings (12/3/07)
Robert Henri & His Circle: The Allure of the Maine Coast; article by Jessica Nicoll (12/1/07)
A Legacy From Maine: The Elizabeth B. Noyce Collection; article by Jessica Nicoll (12/1/07)
Chuck Olson: Visual Histories (11/15/07)
The Artist at Work: The Paintings of Charles Burdick (11/7/07)
A Legacy of Beauty: Paintings in the Boston School Tradition; essay by Christopher Volpe (5/9/07)
The Collection of Josephine Young McKenna (3/28/07)
Edmund Yaghjian: A Retrospective (3/23/07)
Acquired Tastes: 200 Years of Collecting for the Boston Athenaeum (3/15/07)
Artists of the Commonwealth: Realism and Its Response in Pennsylvania Painting, 1900-1950 (1/3/07)
Return to Mid-Atlantic Art:
20-21st Century
Northeast and Mid-Atlantic Painting (for years
1997-2000 includes Southeast and Southern American Paintings)
Return to Topics in American Representational Art
Links to sources of information outside of our web site are provided only as referrals for your further consideration. Please use due diligence in judging the quality of information contained in these and all other web sites. Information from linked sources may be inaccurate or out of date. TFAO neither recommends or endorses these referenced organizations. Although TFAO includes links to other web sites, it takes no responsibility for the content or information contained on those other sites, nor exerts any editorial or other control over them. For more information on evaluating web pages see TFAO's General Resources section in Online Resources for Collectors and Students of Art History.
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