2006 Resource Library articles and essays with the topic "Mid-Atlantic Art: 20-21st Century Northeast and Mid-Atlantic Painting (for years 1997-2000 includes Southeast and Southern American Paintings)"
Introduction
This section of the Traditional Fine Arts Organization (TFAO) catalogue Topics in American Art is devoted to the topic "Mid-Atlantic Art: 20-21st Century Northeast and Mid-Atlantic Painting (for years 1997-2000 includes Southeast and Southern American Paintings)." Clicking on titles takes readers directly to the articles and essays. The date at the end of each title is the date of publication in Resource Library.
(above: Alfred T. Bricher, Castle
Rock, Nahant, Massachusetts, 1877, oil on canvas, 26.13 x
50 in. White House, United States of America. Public domain, via Wikimedia
Commons*)
Our articles and essays honoring the American experience through its art:
Charles Burchfield Center 40th Anniversary Exhibition (10/30/06)
Heavy Machinery, Weber Grills and Dainty Things: New Works by Edith Vonnegut (6/21/06)
focus: Maureen Gallace (6/5/06)
Chas Fagan: Sketching a Path (4/25/06)
Past Perfect: The Landscapes of Thomas B. Higham (4/19/06)
Artists of the Commonwealth: Realism and Its Response in Pennsylvania Painting, 1900-1950 (3/8/06)
Charles Sheeler in Doylestown; article by Karen Lucic (2/22/06)
Infamous New York: Bosses, Burlesque & Mayhem; essay by Constance Schwartz (2/16/06)
Reginald Marsh; essay by Franklin Hill Perrell (2/16/06)
Painting Summer in New England (2/2/06)
Return to Mid-Atlantic Art:
20-21st Century
Northeast and Mid-Atlantic Painting (for years
1997-2000 includes Southeast and Southern American Paintings)
Return to Topics in American Representational Art
Links to sources of information outside of our web site are provided only as referrals for your further consideration. Please use due diligence in judging the quality of information contained in these and all other web sites. Information from linked sources may be inaccurate or out of date. TFAO neither recommends or endorses these referenced organizations. Although TFAO includes links to other web sites, it takes no responsibility for the content or information contained on those other sites, nor exerts any editorial or other control over them. For more information on evaluating web pages see TFAO's General Resources section in Online Resources for Collectors and Students of Art History.
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