Military Art: WWI

Online information about American military art from sources other than Resource Library

 

(above: Childe Hassam, Allies Day, May 1917, 1917, oil on canvas, 36 1/2 x 30 1/4 inches, National Gallery of Art, Gift of Ethelyn McKinney in memory of her brother, Glenn Ford McKinney, 1943.9.1. Public domain, via Wikimedia Commons*)

 

American World War I art emerged as a poignant reflection of the tumultuous period from 1914 to 1918, capturing the experiences of soldiers, the home front, and the broader impacts of the conflict. Artists during this time used their skills to convey the horrors of war, the patriotism of the era, and the societal changes brought about by the conflict. Here are some aspects and artists of American World War I art:
 
Important Artists of American World War I Art:
 
John Singer Sargent (1856-1925):
 
While primarily known for his portraits, Sargent also painted a significant series of works related to World War I. His painting "Gassed" (1919) is one of the most iconic depictions of the war, showing a line of soldiers blinded by mustard gas.
 
George Bellows (1882-1925):
 
Bellows was known for his dynamic style and vivid depictions of urban life. During World War I, he created powerful artworks such as "The Germans Arrive" (1918) and "The Barricade" (1918), which portrayed scenes of conflict and its impact on civilians.
 
Childe Hassam (1859-1935):
 
Hassam, known for his impressionist style, created a series of flag paintings during World War I that celebrated American patriotism and unity. His works such as "The Avenue in the Rain" (1917) and "Allies Day, May 1917" (1917) capture the spirit of the time.
 
Claggett Wilson (1887-1952):
 
Wilson was an artist who served as a soldier during World War I, and his experiences heavily influenced his artwork. His series of war paintings, including "The Sentry" (1919) and "Marines Resting" (1919), depicted the realities of trench warfare and the life of soldiers.
 
Benefits of Experiencing American World War I Art:
 
Historical Documentation: World War I art serves as a visual record of the conflict, documenting the experiences of soldiers, the impact on civilians, and the technological advancements of the time. It provides insights into the landscapes, uniforms, and conditions of warfare during this period.
 
Emotional Connection: These artworks evoke strong emotions by portraying the hardships, sacrifices, and heroism of individuals caught up in the war. They allow viewers to empathize with the human experiences and personal stories of those involved.
 
Cultural Reflection: World War I art reflects the cultural and societal changes brought about by the war, including shifts in gender roles, advancements in technology, and the disillusionment that followed the conflict. It prompts reflection on the complexities of war and its aftermath.
 
Artistic Innovation: Viewing World War I art enhances appreciation for the artistic techniques and styles of the early 20th century. Artists experimented with new forms of expression, from realism to abstraction, to convey the emotional and psychological impacts of war.
 
Historical Legacy: World War I art continues to resonate today by addressing themes such as nationalism, sacrifice, conflict resolution, and the impact of war on society. It encourages dialogue on how historical events shape contemporary perspectives and challenges.
 
In conclusion, experiencing American World War I art enriches understanding of history, culture, and human resilience during a pivotal period in global history. It offers both educational value and emotional engagement, making it a significant aspect of artistic and historical appreciation.
 
Note: The above brief essay was generated by AI and edited by us in June, 2024.

 

The Art of Devastation: Medals and Posters of the Great War is a 2017 exhibit at the Frances Lehman Loeb Art Center which says: "This exhibition of 117 exquisitely rendered art medals from both sides of the Great War reasserts their significance as works of art, and coincides with the 100th anniversary of the United States' entry into the war." Accessed 3/17

The Art of Persuasion: American Propaganda Posters and the Great War is a 2017 exhibit at the Figge Art Museum which says: "The Art of Persuasion exhibition explores how some of the most important artists and illustrators of the day supported the war effort.... Focusing on the themes of liberty, patriotism and fear, artists created compelling imagery that inspired a reluctant country to not only support the war but also fund it." Accessed 2/17

Call to Duty: World War Posters and Tears of Stone, a brochure for an exhibit held July 4 2015 - October 4 2015 at the Dayton Art Institute.. Accessed April, 2015

Edmund Greacen and World War I  is a 2019 exhibit at the Cummer Museum of Art & Gardens https://www.cummermuseum.org/ which says: "Edmund W. Greacen (1876 -1949) does not blind us with graphic illustrations of violent action. Instead, he uses faceless depictions and soft, muted tones to make us aware of the devastation of the Great War." Accessed 12/19

Emory University, Department of English post on the World War I propaganda poster "Enlist," by Fred Spear. Accessed August, 2015.

Enlist! Art Goes to War, 1914-1918 is an exhibit from the R.W. Norton Art Gallery. LiveAuctioneers posted a July 29, 2014 AP article about the exhibit. Accessed August, 2016.

For Home and Country: World War I Posters from the Newark Library is a 2017 exhibit at the University Galleries at William Paterson University which says: "The posters in the exhibit are on loan from a historically important collection at the Newark Public Library. In 1917, the director of that library, John Cotton Dana, was one of the most famous and influential librarians in the country. The American government gave Dana a large number of its propaganda posters and asked him to organize an exhibit that would be sent on tour around the nation to generate support for the war. So successful was this endeavor that Dana created a second touring exhibit of posters. Upon their return to Newark in 1919, the posters became part of the Newark Public Library's Special Collections. Many of them have not been publicly exhibited since." Also see exhibit catalog   Accessed 11/17

Harry Everett Townsend: Illustrations of a World War I Artist is a 2017 exhibit at the New Britain Museum of American Art which says: "This exhibition commemorates the centenary of America's entry into World War I and marks the inaugural showing of the NBMAA's historic and rare collection of war sketches by illustrator Harry Everett Townsend (1879-1941). " Accessed 11/17

Hope & Fear - Propaganda of the Great War is a 2017 exhibit at the Philbrook Museum of Art which says: "Spread across two galleries, Hope & Fear vividly illustrates two opposing approaches to this conflict. One gallery includes the pro-war posters while the second features the deeply disconcerting War Series lithographs by George Bellows." Accessed 8/17

Milton Bancroft recorded scenes in France during WWI, as described in a 1/28/18 article in the Johnstown, PA Tribune-Democrat. Accessed 3/18

Patriotic Persuasion: American Posters of the First World War is a 2018 exhibit at the Bruce Museum which says: "Patriotic Persuasion: American Posters of the First World War features a selection of works donated to the Bruce Museum by Beverly and John W. Watling III." Also see press release and an image sheet. Accessed 2/18

The Power of Posters: Mobilizing the Home Front to Win The Great War is a 2017 exhibit at the Gilcrease Museum which says: "Despite the passage of 100 years, the many examples presented in The Power of Posters: Mobilizing the Home Front to Win The Great War still retain their emotional power. Ranging from sweet and comforting to menacing and terrifying, they help us in the 21st century understand what it was like to be an American on the home front during The Great War." Accessed 5/17

"This Riveting Art From the Front Lines of World War I Has Gone Largely Unseen for Decades," by Max Kutner, 8/12/14, from Smithsonian Magazine. Accessed August, 2015.

US Army Official War Artists from The Great War Society. Accessed August, 2015.

World War I and American Art is a 2017 exhibit at the Frist Center for the Visual Arts which says: "This exhibition provides an unprecedented opportunity to examine World War I and its impact on American art." Thorough presentation online. Accessed 12/17

World War I Beyond the Trenches is a 2017 exhibit at the New-York Historical Society which says: "World War I Beyond the Trenches explores how artists across generations, aesthetic sensibilities, and the political spectrum used their work to depict, memorialize, promote, or oppose the divisive conflict."  Also see press release  Accessed 6/17

Your Country Calls! Posters of the First World War, an exhibit held August 2 - November 3, 2014 at the Huntington Library, Art Collections, and Botanical Gardens. Includes gallery guide and press release. Accessed February, 2015.

 

Call to Duty: World War Posters, online video [6:55] from Dayton Fox 45 for an exhibit held July 4 2015 - October 4 2015 at the Dayton Art Institute. Accessed August, 2015.

Call to Duty: World War Posters, online video from Comcast Creative in which Jill Horner speaks with Scott Schweigert, Curator Art & Civilization, Reading Public Museum, for an exhibit held 9/13/14 - 1/4/15 at the Reading Public Museum. Accessed August, 2015.

 

(above: Norman Rockwell, U.S. Army Teaches a Trade (G.I. Telegrapher), 1919, oil on canvas, 19 x 29 inches, Norman Rockwell Museum, NRM.1977.03.  Public domain, via Wikimedia Commons*)

 

(above: Joseph Pennell, That liberty shall not perish from the earth, c. 1918, lithograph, 104 x 75 cm, Library of Congress. Public domain, via Wikimedia Commons*)

 

 

(above: M.H. Bancroft, Poster, Enlist in the Army, c. 1917, 41 3/16 ? 27 3/16 inches, Cooper Hewitt, Smithsonian Design Museum. Public domain, via Wikimedia Commons*)

 

(above: M.H. Bancroft, Poster, Wanted 25,000 student nurses, U.S. Student Nurse Reserve, c. 1917, colored lithograph, 103 x 64 cm, Library of Congress. Public domain, via Wikimedia Commons*)

 

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