Editor's note: The Museum of Northern Arizona provided source material to Resource Library for the following article or essay. If you have questions or comments regarding the source material, please contact the Museum of Northern Arizona directly through either this phone number or web address:


Arizona: A View from the Mountains


From the highest mountains to the most delicate wildflowers, Arizona: A View from the Mountains, the new photography exhibit at the Museum of Northern Arizona, will open visitors' minds and eyes to the rich diversity of Arizona landscapes. On display from September 4, 2004 - April 17, 2005, it features text and 76 photographs from the recently published Arizona Highways book by author Rose Houk and photographer Michael Collier, The Mountains Know Arizona: Images of the Land and Stories of Its People. (right: Michael Collier, Aspens in Lockett Meadow, photo copyright Michael Collier)

Collier's vivid photography tells the stories of ten Arizona mountain ranges while Houk's writing adds a human element by focusing on people who live on or study these geologically-rich landscapes. The two traveled two years and 30,000 miles to compile images and text celebrating Arizona. They wandered through aspen groves on the San Francisco Peaks, walked canyons around Navajo Mountain, and explored Mount Trumbull in the Uinkarets. Now, they want to hear what vsistors have to say.

As a special addition to the show, Collier is including seven additional images of the San Francisco Peaks. Unlike the book photographs, these images show human interaction with the Peaks. Exhibit goers are invited to scribe their thoughts about the mountains in a book at the exhibit. Collier and Houk will share some of these public thoughts during a slide show and reading at 4 p.m. Sunday, November 7, 2004.

"We thought it would be nice not only to have people see lovely images of Arizona, but to elicit responses to the exhibit and get their thoughts of what the mountains mean to them," says Collier. "One way to do that is to step out of the "beautiful mountains" mode. The new pictures show people another reality. It's the reality that these mountains are not just a beautiful landscape, but it is a landscape influenced by people."

When they are not hiking, biking, or working on another book, Collier and Houk often work from their sandstone brick office overlooking Flagstaff's Heritage Square. They took the time to speak with the Museum about their show as a soft summer breeze meandered through the historic open windows:


Q&A with author Rose Houk and photographer Michael Collier:


MNA: Why did you produce this book?
Collier: It was nice to organize a way of thinking about the state. When you're traveling away from Arizona, people always say, "It must be hot!" To most people, Arizona is a desert state. I don't deny the deserts, but in large measure, my view of the state is from mountains. Sitting on top of a mountain or from a plane, I can see all the surrounding landscapes-be they deserts, or foothills or other mountains. I count myself incredibly lucky because for the two years we worked on the book. It was my job to get up in the morning, scratch my belly and say, "What can I see that's beautiful today?" I would go out and I see things and make pictures. It was a fabulous opportunity to indulge in beauty and not have to be always thinking about the political ramifications.
MNA: Rose, how did you create such interesting text while writing about such academic topics?
Houk: Bringing it home. In writing about science and nature, the thing I try to be mindful of is making it human. In the Mountains book, you'll note I used lots of first person and history. There are stories everywhere, and my hope is simply to make them compelling enough that people may want to keep reading.
MNA: When did you first know you were a writer?
Houk: I knew in the sixth grade when I wrote my first (and last) piece of fiction titled "Smugglers on Bali."
MNA: Why did you add seven new photographs to the exhibit at the Museum of Northern Arizona?
Collier: The new pictures show people another reality. It's the reality that these mountains are not just a beautiful landscape, but a landscape that people interact with. For example, a picture of Hart Prairie is among the seven new images; the picture is pretty but you can see ski slopes intruding onto the slopes of Agazzi. There is a photo showing the effects of fire. There are pictures of construction. There are pictures of the pumice mines. The extra pictures are trying to dislodge people from that simple "Aren't they beautiful?" mindset to "How do we interact with these mountains?" I don't like preaching to people, telling them how they are supposed to think about mountains. I'd rather say here's one view and there's another.
MNA: So, you're not making a political statement with the new photographs?
Collier: We all make political statements by just being alive and making choices. But, I want to be open to other views. Rose and I spent two years honing one view of the mountains. Everybody brings their own view to the pictures. To some they might mean beautiful places they can escape to, or beautiful places that linger above our home here in Flagstaff, but it also may be there are people who truly see in the Peaks a glorious place to build a second home.
MNA: Why didn't these photos make it into the book?
Collier: I've worked on books focusing on things that are degrading: power plants, smog, and diversions out of the Colorado River. This time we chose to make a book about what is beautiful with the mountains. The seven additional images evoke emotions about human interaction. Beyond every political notion and every political argument, the mountains are beautiful for their own sake. Beauty is what the book is about. The seven additional pictures were added later; they lay outside the original intent of the book.
MNA: Why was making this book important to you?
Collier: We got to go to a lot of places I hadn't seen in a long time or I had before never seen. It expanded on what I knew of the state and freshened my image of it. In some ways there was poignancy to it because we spent a lot of time and energy getting out into places and we won't do that again for a little while. There's also poignancy behind the pictures because the landscapes are changing.
MNA: Has working on this book changed you?
Collier: I'm not sure it deeply changed me, but it added to a sense of where I live and what I am all about. It added to my sense of home. Changes don't have to be huge; each is a stepping stone to help you move from one place to another. Everything is connected. You are out there in the stream of life because of steps you've taken to get from here to there. You try to stay nimble enough to move to the next rock-so you do a book on the mountains and canyons. It may not turn you into John Muir, but it adds to where you've been and where you are going. It's another stepping stone along the way.
Houk: Work on the Mountains book affected me deeply. It felt like the culmination of a lot of years of exploring this state-of beautiful places, memorable experiences, and interesting people. I always envied Charles Kuralt, and this may be the closest I could ever come to realizing a life like he lived "on the road."
MNA: Do you have a favorite image in The Mountains Know Arizona?
Collier: My favorite is one of frost on aspen and fir that spans pages 248­249.
Houk: My favorite image is the leaves in the water in the Huachuca chapter. I think my favorite story was getting hooked into making frybread with the Navajos at the Sheep of Life get together at Tsaile.
MNA: Rose, there was a lot to write. How did you stay inspired?
Houk: Inspiration wasn't so hard-I just kept going to neat places on each of our trips. When I realized that each would be new and different, it wasn't really so much of a problem. 
MNA: Michael, how do you balance being a photographer with being a pilot, a doctor, and a geologist?
Collier: Stay organized. Life's short. I'd hate to wake up dead and not have done most of what I wanted to do. I would turn into a grumpy old man if I were just a photographer, a pilot, or if I were just a doctor. There's this drive to maintain the infusion of different interests throughout each month. I work for a week as a doctor, and then I'm off photographing or writing in my Flagstaff studio.
MNA: How did you get such extraordinary photos?
Collier: We hiked up many mountains to get a high vantage point. For most of the photography, I used an AcraSwiss camera and five different lenses.
MNA: Some of these images seem very bird's eye view. Did you take them from a plane?
Collier: I fly a Cessna 180 built in 1955 that I've flown a lot in the last 18 years. Rosie says when I walk up to the plane, the tail wags. But as much as I love aerial photography, only a few in the book were taken from a plane. Mostly, we hiked to our destinations, which were often very high vistas.
MNA: How does Rose feel about flying?
Houk: I'm a person who likes to have her feet on the ground as much as possible
MNA: Do you enhance photographs during processing?
Collier: A lot of people raise that question these days. The fact is, if you are true to what is beautiful, who cares? You enhance a picture long before you touch the camera. You enhance a picture by shooting it at sunset or sunrise or shooting it at noon. You enhance a picture by choosing the light or by choosing a particular lens. You choose to cram a mountain into a dramatic profile with a long lens, or use a wide lens and have it fall away. You make huge choices when you choose which film you're going to use. If I shoot on Blah-chrome, I've made the choice to get a blah blue picture. If I shoot on Fuji Velvia, I'm going to get one hell of a picture.
MNA: How many books have you worked on together?
Houk: Michael and I have worked together on four or five books and several Arizona Highways magazine pieces together.
MNA: Why are you showing these photos at the Museum of Northern Arizona rather than in an art gallery?
Collier: I wanted very badly for these 76 pictures to spend time in the Museum. The Museum of Northern Arizona has always been a special place to me and the community. It is Flagstaff's window on Arizona. I am delighted to have the pictures come home to roost here.


Michael Collier

Collier is a former Grand Canyon boatman, now working as a freelance photographer, writer, and pilot living in Flagstaff. During the other half of his life, he practices family medicine in Williams. He received geology degrees from Northern Arizona University and Stanford University. He has published numerous books about geology around the West.

Rose Houk

Houk lives in Flagstaff and is a freelance writer and editor specializing in natural history, archaeology, and travel. A published author, she is also a frequent contributor to Arizona Highways magazine. Houk has worked as a travel guide, a newspaper reporter, and a ranger at Grand Canyon National Park.


Arizona: A View from the Mountains (Arizona Highways, ISBN:1-893860-87-6) is available in the Museum of Northern Arizona Bookstore.


Read more articles and essays concerning this institutional source by visiting the sub-index page for the Museum of Northern Arizona in Resource Library.

Visit the Table of Contents for Resource Library for thousands of articles and essays on American art, calendars, and much more.

© Copyright 2004 Traditional Fine Arts Organization, Inc., an Arizona nonprofit corporation. All rights reserved.