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The Allen Sisters: Pictorial Photographers 1885 - 1920
January 15 - March 20, 2005
On view at the Columbus Museum of Art January 15 - March 20, 2005, The Allen Sisters: Pictorial Photographers 1885 - 1920 examines the pictures of Frances and Mary Allen who were once heralded as among the "Foremost Women Photographers in America." The Allen sisters began their photographic odyssey in the1880s after progressive deafness cut short their vocations as teachers. Working within the Arts and Crafts Movement, the sisters created idealized photographs of country scenes, allegorical figure studies, and landscapes in New England, Quebec, California, and Great Britain. This exhibition features 50 platinum prints and reflects the Pictorial style championed most famously by Alfred Stieglitz. The Allen Sisters is organized by Memorial Hall Museum, Deerfield, Massachusetts. (right: Frances and Mary Allen, Day's Work Done, ca. 1900. Memorial Hall Museum, Deerfield, Massachusetts)
The Allen sisters' photographs have literally been lost from view for most of the last century. Few people today have seen the depth and breadth of their work. Beginning in the 1880s, Frances Stebbins Allen (1854-1941) and Mary Electa Allen (1858-1941) of Deerfield, Massachusetts started working as photographers. Working within social and aesthetic reforms of the Arts and Crafts Movement, they found Old Deerfield's eighteenth-century houses and furnishings offered an ideal environment for their colonial re-creations, and their family and neighbors further accommodated them by donning period clothes to complete the pictures. The Allens' earliest photographs appear in the 1890s. Realizing the Colonial Revival interests in the past, book and magazine publishers readily commissioned the Allen sisters photographs of children, or costumed figures and country life.
Although these romanticized visions of the past are the Allens' best-known photographs, Frances and Mary Allen also mastered less descriptive images with evocative compositions and use of light in the Pictorial style advocated by eminent photographers such as Alfred Stieglitz and Edward Steichen. The Allens' artistic prints with contemplative images and exquisite tonal values were included in exhibitions such as The Washington Salon and Art Photographic Exhibition, 1896; Third International Congress of Photography, Paris, 1900; Third Philadelphia Photographic Salon, 1900; Canadian Pictorialist Exhibition, Montreal, 1907; and Arts and Crafts 7th Annual Exhibition, The Art Institute of Chicago, 1908. (right: Frances and Mary Allen, Constance, ca. 1904. Memorial Hall Museum, Deerfield, Massachusetts)
A 1901 exhibition reviewer admiringly wrote of Frances and Mary Allens' artistic vision:
Between 1896 and 1916, the flourishing of the Arts and Crafts movement in Deerfield played a critical role in the Allen sisters' careers. Summer exhibitions, national press coverage, and large numbers of tourists provided the Allens with an audience not found in most rural towns. Connections to urban craft communities in Boston and Chicago through Madeline Yale Wynne and Ellen Gates Starr, as well as their friendship with the photographer Frances Benjamin Johnston in Washington, D.C., opened more doors for the Allen sisters. Their exceptional photographs kept those doors open.
The Allen sisters took their cameras with them on trips to Great Britain in 1908 and California in 1916, where they created majestic views quite unlike their New England landscapes. The Californian landscapes, arguably their most artistic prints, compose their last large body of work. Frances and Mary's active work in photography stopped around 1920, the date of their last catalogue, but they continued to sell photographs from their front parlor until 1935. For the last eleven years of her life, Frances was blind as well as deaf. The Allen sisters died within four days of each other in 1941. (right: Frances and Mary Allen, Dorothy and Vera, ca. 1910. Memorial Hall Museum, Deerfield, Massachusetts)
The exhibition is accompanied by a book, The Allen Sisters:
Pictorial Photographer 1885-1920, written by Suzanne L. Flynt, which
won the 2002 SPNEA Book Prize, with a foreword by Naomi Rosenblum, author
of The History of Women Photographers and A World History of Photography.
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