Macbeth Galleries (or Gallery) Exhibitors

 


Introduction

This section of the Traditional Fine Arts Organization (TFAO) catalogue Topics in American Art is devoted to the topic "Macbeth Galleries (or Gallery) Exhibitors." Articles and essays specific to this topic published in TFAO's Resource Library are listed at the beginning of the section. Clicking on titles takes readers directly to these articles and essays. The date at the end of each title is the Resource Library publication date.

Following the listing of Resource Library articles and essays is the heading "TFAO references." The count of pages in the TFAO website citing relevant keywords is an indicator of our breadth of coverage for this topic. We recommend that readers search within the TFAO website to find detailed information for any topic. Please see our page How to research topics not listed for more information.

After "TFAO references" are links to valuable online resources found outside our website. Links may be to museums' articles about exhibits, plus much more topical information based on our online searches.

Following online resources is information about offline resources including museums, DVDs, and paper-printed books, journals and articles.

We welcome suggestions for additional content by sending an email to ..

 

Articles and essays from Resource Library in chronological order:

The Independents: The Ashcan School & Their Circle from Florida Collections; article by Valerie Ann Leeds (8/22/05)

A Legacy of Beauty: Paintings & Prints from the Edwin C. Shaw Bequest; article by Wendy Kendall-Hess (4/20/05)

Return From Oblivion: Reassessing the Art of Gari Melchers; essay by Stephen May (9/30/04)

Andrew Wyeth: Early Watercolors (9/27/04)

Through American Eyes: Two Centuries of American Art from the Huntington Museum of Art (7/16/04)

The Land of Sunshine; essay by William H. Gerdts, from the catalogue "Masters of Light: Plein-Air Painting in California 1890-1930" (10/8/03)

In and Out of California: Travels of American Impressionists; essay by Deborah Epstein Solon (1/2/03)

Robert Henri and His Influence, from the Permanent Collection of the Sheldon Memorial Art Gallery and Sculpture Garden (5/20/02)

William J. Glackens, Painter: A Tribute to C. Richard Hilker, Patron; article by Dean Porter (8/24/01)

Old New York and Artists of the Period: 1900-1941; essays by Constance Schwartz and Franklin Hill Perrell (7/19/01)

Arthur B. Davies: Dweller on the Threshold (6/22/01)

Robert Henri: American Icon; essay by Valerie Ann Leeds (5/11/01)

Robert Henri: The Early Years; essay by Bennard Perlman (5/10/01)

Three Generations of Wyeths Featured in Spring, 2001 Farnsworth Art Museum Exhibitions (4/24/01)

Theodore Robinson: Pioneer of American Impressionism, by D. Scott Atkinson (4/19/01)

George Luks : An Artistic Legacy; essay by Judith Hansen O'Toole (4/19/01)

Winslow Homer Watercolors at Canajoharie Library and Art Gallery (2/24/01)

Andrew Wyeth: Close Friends (12/20/00)

The Gist of Drawings: Works on Paper by John Sloan (11/3/00)

Pride in Place: Landscapes by the Eight in Southern Collections (6/17/00)

Many subsequent texts referencing Macbeth Galleries have not yet been indexed.

 

TFAO references:

As of 10/16/12 TFAO Digital Library contained 109 references to "Macbeth."

 

From other websites:

For an Archives of American Art finding aid for the Macbeth records click here. Accessed August, 2015.

The website of the Thomas J. Watson Library at The Metropolitan Museum of Art announced: "...A collaborative project to digitize the exhibition checklists and pamphlets of the Macbeth Gallery, held by the Thomas J. Watson Library at The Metropolitan Museum of Art and the Frick Art Reference Library...  The combined collection, numbering over 450 unique items published between 1895 and 1953, was digitized by Northern Micrographics in La Crosse, Wisconsin.  PDF files of the catalogs are now available for download to researchers worldwide through the Watson Library online catalog, WATSONLINE, and through FRESCO (Frick Research Catalog Online)....The Macbeth Gallery was the first New York gallery to specialize in American art and is historically important for exhibiting work by many American artists well-known to us today, including Winslow Homer, Charles H. Davis, and Andrew Wyeth.  In addition to solo exhibitions, many group shows were held at the Macbeth Gallery in the early 20th century -- several would have a profound impact on the development and appreciation of American art." For a title list of the Macbeth digital collection in WATSONLINE click here. [Link found to be expired as of 2015 audit. TFAO is saving the citation for use by researchers.]

 

DVD/VHS videos:

-- not researched

TFAO does not maintain a lending library of videos or sell videos. Click here for information on how to borrow or purchase copies of VHS videos and DVDs listed in TFAO's Videos -DVD/VHS, an authoritative guide to videos in VHS and DVD format

 

Return to Topics in American Representational Art


TFAO catalogues:

American Representational Art links to dozens of topics in American Representational Art

Audio Online a catalogue of online streaming audio recordings

Collections of Historic American Art notable private collections

Distinguished Artists a national registry of historic artists

Geographic Tour of American Representational Art History a catalogue of articles and essays that describe the evolution of American art from the inception of the United States to WWII.

Illustrated Audio Online streaming online narrated slide shows

Articles and Essays Online substantive texts published outside of Resource Library

Videos Online a comprehensive catalogue of online full motion videos streamed free to viewers

Videos an authoritative guide to videos in VHS and DVD format

Books general reference books published on paper

Interactive media media in CD-ROM format

Magazines paper-published magazines and journals

 

Links to sources of information outside of our web site are provided only as referrals for your further consideration. Please use due diligence in judging the quality of information contained in these and all other web sites. Information from linked sources may be inaccurate or out of date. TFAO neither recommends or endorses these referenced organizations. Although TFAO includes links to other web sites, it takes no responsibility for the content or information contained on those other sites, nor exerts any editorial or other control over them. For more information on evaluating web pages see TFAO's General Resources section in Online Resources for Collectors and Students of Art History.


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