Editor's note: The Irvine Museum provided source material to Resource
Library for the following article or essay. If you have questions or
comments regarding the source material, please contact The Irvine Museum
directly through either this phone number or web address:
Passionate Visions: Paintings by
Botke, DeRome, Rider & Wendt
May 19 - September 8, 2007
The Irvine Museum
offers a show which features four artists with differing yet equally passionate
artistic points of view. Jessie Arms Botke (1883-1971) is nationally known
as one of the important American Art Deco painters. Her elegant and brightly
colored paintings of exotic birds and plants stand out for their sheer power
to dazzle the eyes of the viewer. Albert Thomas DeRome (1885-1959) became
known for beautifully composed and intimate views of the California coastline.
De Rome's favorite subjects were Point Lobos, the sand dunes in Carmel,
rural Monterey County and the California Missions. Arthur Grover Rider (1886-1975)
was among the best colorists in America. His paintings are known for their
intense, brilliant light. William Wendt (1865-1946) painted exactly what
he saw in nature with warm colors and outstanding effects of light and shadow.
The tranquility, strength and sense of well being of his work appealed to
a wide audience.
- Jessie Arms Botke
- Born May 27, 1883 in Chicago, Illinois
- Died October 2, 1971 in Santa Paula, California
- Jessie Arms grew up in Chicago spending much of her leisure
time sketching and painting. In 1897 and 1898 she enrolled in intermediate
classes at the School of the Art Institute of Chicago. Then after graduating
from high school, she decided to pursue a career as a painter and enrolled
as a full time student at the Art Institute. Moving to New York City in
1911, she worked at Herter Looms, preparing tapestry cartoons under the
guidance of Albert Herter (1871-1950). She developed a special talent
for depicting birds and assisted Herter with a mural for the St. Francis
Hotel in San Francisco.
- In 1914, the artist traveled to Santa Barbara to assist
Herter's wife, Adele, with the decoration of a private home. On a brief
stopover in Chicago, she met the Dutch-born artist Cornelis Botke (1887-1954).
They were married in 1915 in Leonia, New Jersey.
- Botke and her husband then moved to Chicago where they
collaborated on two major mural commissions: one for the Kellogg Company,
the other for Noyes Hall at the University of Chicago. They visited California
in 1918, and moved there the following year, settling in Carmel. From
1923 to 1925, they traveled throughout Europe.
- In 1927, they moved to the southern part of the state,
living in Los Angeles, but they didn't like the fast pace of city life
and so they bought ten acres of ranch property at Wheeler Canyon, Santa
Paula in Ventura County. Jessie loved the ranch and with Cornelis and
their son, she was able to combine fine art with farming. Apparently she
required little sleep and seemed to be nourished and refreshed by her work,
which consisted of painting six days a week, sketching on Sundays, as well
as picking, pruning, pickling and canning. She always kept up with the
current novels, did a lot of traveling, exhibiting, teaching and always
had a steady stream of callers at their ranch.
- Botke was not a plein air painter, but instead focused
on decorative paintings of birds, both domestic and exotic. She worked
in oil, watercolor, or gouache and often employed gold and silver leaf
in the background. Her paintings were widely exhibited throughout the
- Albert Thomas DeRome
- Born June 26, 1885 in Cayucos, San Luis Obispo County,
- Died July 31, 1959 in Carmel, California
- Albert DeRome studied at the Mark Hopkins Institute of
Art (now known as the San Francisco Art Institute), where he met his future
wife, Martha Sale, Albert and Martha married in 1901 and had a son, Albert
Walton, in 1914 in San Francisco.
- In 1905, DeRome worked as a cartoonist for the San Jose
Mercury News. By 1908, he worked for an advertising firm that created
art for billboards, signs and posters. In 1915, DeRome went to work for
one of his best clients, a candy company, George Haas and Sons, as a sales
manger. Albert traveled all over California visiting stores that sold
Haas chocolates. In his car, he always had his portable easel, a box of
watercolor paints and small canvases, so that he could paint mountains,
lakes and mining cabins.
- In 1931, at the age of 46, while on the job, DeRome's
car collided, head on with another. He was hospitalized for 8 months with
a broken neck and partial paralysis of his left side. The insurance settlement
that assured the DeRome family of financial security for the rest of DeRome's
life also prevented him from selling his artwork. He did exhibit as an
"amateur" in Northern California, gaining recognition and several
first prizes. He often gave his paintings away to friends and family in
exchange for favors.
- Though DeRome had to give up driving and steadied himself
with a cane, he still went on long painting excursions around the Monterey
Bay. During these years he painted primarily in oils, because his reflexes
could no longer keep up with the watercolors. With time, his left arm
grew stronger and he was once again able to hold a palette.
- Albert became known for beautifully composed and beguiling
views of the California coastline. Inspired by changes in the sea and
the sky, his coastal paintings are of particular note, depicting lush foreground
carpets of colorful vegetation, with the majestic crystal-blue and glass-green
colors of the Pacific. His paintings always drew attention to nature's
magnificent dimensions. DeRome shared this quality with artists such as
Thomas Hill and Albert Bierstadt who's visions of nature was grand or majestic,
whereas DeRome's was intimate.
- Arthur Grover Rider
- Born March 21, 1886 in Chicago, Illinois
- Died January 25, 1976 in Los Angeles, California
- Arthur Rider attended the Chicago Academy of Fine Arts.
He then went to Europe where he studied at the Academie Colarossi and
the Academie de la Grande Chaumiere in Paris. He spent several summers
in Valencia, Spain, studying at the Werntz Academy of Fine Arts. This
is when he met and befriended noted artist Joaquin Sorolla (1863-1923),
who would be a great influence on his work. While in Spain he painted
magnificent Sorolla-like scenes on the beach of Valencia. Like his mentor,
Rider was a superb colorist.
- Rider left Chicago in 1928 and moved to Laguna Beach.
The light of Southern California beguiled him, and he painted landscapes
and beach scenes near his home, using oil paints as well as watercolor.
As was the case with many painters of Laguna Beach, Rider visited the
Mission San Juan Capistrano on several occasions, painting views of the
gardens and fountains. In 1931, he moved to Los Angeles and remained there
for the rest of his life.
- For thirty years, Rider worked as a scenic painter for
Twentieth-Century Fox and MGM studios. Rider prepared sets for a large
number of important films, including The Wizard of Oz, The Robe, and
Ben-Hur. At that time, movies did not give screen credit to scenic
artists, so unfortunately, few people know of his tremendous contributions
to the golden age of Hollywood. He retired from the studios at the age
- William Wendt
- Born February 20, 1865 in Bentzen, Germany
- Died December 29, 1946 in Laguna Beach, California
- Wendt immigrated to the U.S. in 1880, settling in Chicago
where he worked in a commercial art firm. Essentially self-taught, he
attended evening classes at the Art Institute of Chicago for only a brief
period. Dissatisfied with figure studies, he preferred painting landscapes
and quickly became an active exhibitor in various Chicago art shows.
- In 1906, Wendt married Julia Bracken, a sculptor from
Chicago and then settled into a combination home-studio he had bought in
Los Angeles. The two worked harmoniously together, she in the studio and
he wandering the hills sketching, then returning to translate his sketches
into finished landscapes.
- Wendt painted exactly what he saw in nature with warm
colors and outstanding effects of light and shadow. The tranquility, strength
and sense of well-being of his work appealed to a wide audience. Only
rarely did he include people or animals in his landscapes. His early works
reflect the feathery brush strokes and hazy atmosphere of Impressionism.
In his later works, after about 1912, he employed a distinctive block-like
brushwork giving solidity to his renditions of natural forms.
- Wendt was a founding member of the California Art Club
in 1909. He moved his home and studio to the art colony of Laguna Beach
in 1912 and was a founding member of the Laguna Beach Art Association in
1918. Although he was somewhat shy and reclusive, Wendt was Laguna's most
important resident artist-teacher. He and his wife, Julia, lived in Laguna
until her death in 1942 and William's death in 1946.
(above: Botke, Jessie Arms (1883-1971), Demoiselles,
Cranes, and Lotus, Oil on canvas , 40 x 30 inches. Courtesy of The Irvine
(above: DeRome, Albert T. (1885 - 1959), Carmel Bay,
Pescadero Point, Oil on board, 18 x 24 inches. Courtesy of The Irvine
(above: Rider, Arthur G. (1886 -1975), Bringing in the
Boats, Oil on Canvas, 44 x 50 inches. Courtesy of The Irvine Museum)
(above: Wendt, William (1865 - 1946), Houses Along the
Coast, Oil on canvas, 28 x 36 inches. Courtesy of The Irvine Museum)
Click here for the museum's press release for the exhibit including photos
and biographies of the artists
Editor's note: RL readers may also enjoy:
Read more articles and essays concerning this institutional
source by visiting the sub-index page for the The
Irvine Museum in Resource Library.
Visit the Table
of Contents for Resource Library for thousands
of articles and essays on American art.
Copyright 2007 Traditional Fine Arts Organization, Inc., an Arizona nonprofit corporation. All rights