Hoofbeats and Heartbeats: the Horse in American Art

August 21 to November 21, 2010

Additional images from the exhibition

(above: Rembrandt Peale American, 1778-1860, George Washington, ca. 1835, Oil on canvas, 30 x 24 _ inches (framed 39 _ x 34 x 3 _ inches). Courtesy of the Hammond-Harwood House Association)

(above: Carl Clemens Mortiz Rungius American, born Germany, 1869-1959, On the Range, 1920, Oil on canvas, 30 _ x 36 _ (framed 41 _ x 47 _ x 3 inches). National Academy Museum, New York)

(above: Charles Schreyvogel American, 1861-1912, Dead Sure, 1902, Oil on canvas, 20 1/2 x 16 3/16 inches (framed 28 _ x 24 5/8 inches). Rockwell Museum of Western Art, Corning, NY)

(above: Edmund C. Tarbell American, 1862-1938, Schooling the Horses, 1903, Oil on canvas mounted on aluminum, 24 x 29 1/2 inches (framed 34 3/4 x 39 3/4 x 1 7/8). Currier Museum of Art, Manchester, NH, Gift of Faith Stanwood, 1975.25)

(above: John Trumbull American, 1756-1843, Washington at Verplanck's Point, NY 1782, Reviewing the French Troops after the Victory at Yorktown, 1790, Oil on canvas, 30 x 20 1/8 inches. Winterthur Museum; Gift of Henry Francis du Pont)

Return to Hoofbeats and Heartbeats: the Horse in American Art

Search Resource Library for thousands of articles and essays on American art.

Copyright 2010 Traditional Fine Arts Organization, Inc., an Arizona nonprofit corporation. All rights reserved.