2005 Resource Library articles and essays with the topic "American 19-20th Century Representational Art"

 

Introduction

Clicking on titles takes readers directly to these articles and essays. The date at the end of each title is the Resource Library publication date.

 

(above:  Marion Boyd Allen, Canyon with Bird, 1933, oil on canvas, 24 x 20 inches, Skinner. Public domain, via Wikimedia Commons*)

 

Resource Library articles and essays honoring the American experience through its art:

American Impressions: An Arcadian Vision, Paintings from the Akron Art Museum (12/15/05)

Picturing the Banjo (12/8/05)

Laura Coombs Hills: A Retrospective; essay by Sandra Lepore (12/705)

In Retrospect: Selected Works by Lyme Art Association Members; essay by Michael Lloyd (11/28/05)

Marks of Distinction: Two Hundred Years of American Drawings and Watercolors from the Hood Museum of Art (11/10/05)

 

French Impressionism and Boston: Masterworks from the Museum of Fine Arts (10/18/05)

American Spirit (10/13/05)

In Private Hands: 200 Years of American Painting (9/26/05)

The Monhegan Island Art Colony: 1858-2003; essay by Edward L. Deci (9/2/05)

American Impressionism: The Beauty of Work (8/19/05)

 

American Impressions: Prints & Paintings by Childe Hassam (8/19/05)

An Enduring Legacy: Paintings Acquired Through the J. Harwood and Louise B. Cochrane Fund for American Art (8/9/05)

Light Motifs: American Impressionist Paintings from The Metropolitan Museum of Art (7/28/05)

Maxfield Parrish, Master of Make-Believe (7/6/05)

Encouraging American Genius: Master Paintings from the Corcoran Gallery of Art (7/5/05)

 

Maxfield Parrish: Master of Make-Believe; essay by Alma Gilbert (6/23/05)

Legacy of Cape Ann; essay by James M. Keny (6/13/05)

Selections from the Collection featuring the Dublin Art Colony (6/1/05)

The Eugene and Clare Thaw Collection of American Indian Art (6/1/05)

The French Experience: Alice Schille's Artistic Legacy; article by James M. Keny (5/19/05)

 

Vanguard Collecting: American Art at Reynolda House (4/26/05)

Moving Pictures: American Art and Early Film, 1880-1910 (4/21/05)

A Legacy of Beauty: Paintings & Prints from the Edwin C. Shaw Bequest; article by Wendy Kendall-Hess (4/20/05)

A Fertile Fellowship: The Rich History of the Salmagundi Club; essay by Anne Cohen DePietro 4/15/05)

Capturing Beauty: American Impressionist and Realist Paintings from the McGlothlin Collection (4/14/05)

 

Ohio Impressionists and Post-Impressionists; essay by James M. Keny (4/8/05)

American Impressionism: An Arcadian Vision, Paintings from the Akron Art Museum (3/21/05)

Summers of '96 - Shinnecock Revisited: The Inspiration of Kate Freeman Clark by William Merritt Chase; essay by Kathleen McClain Jenkins (3/16/05)

Marks of Distinction: Two Hundred Years of American Drawings and Watercolors from the Hood Museum of Art (3/1/05)

African American Art; essay by Richard Powell (2/18/05)

 

Salmagundi Club: An American Institution (1/31/05)

 

Go to Representational Art (other): 18-19th Century, 19-20th Century, 20-21st Century

Return to Topics in American Representational Art

 

(above: Washington Allston (American, Georgetown, South Carolina 1779-1843 Cambridgeport, Massachusetts), The Spanish Girl in Reverie, 1831, Oil on canvas, 30 x 25 inches. The Metropolitan Museum of Art, Gift of Lyman G. Bloomingdale, 1901. Public domain, via Wikimedia Commons*)

See more paintings by Washington Allston

 

(above: Mathias Joseph Alten, Mission San Juan Capistrano, c. 1934, oil on canvas, 26 x 32 inches, Grand Valley State University Art Gallery. Public domain, via Wikimedia Commons*)

 

(above: Mabel Alvarez, Photograph courtesy of the Archives of American Art, Smithsonian Institution, c. 1915.  Public domain, via Wikimedia Commons*)

 

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Resource Library is a free online publication of nonprofit Traditional Fine Arts Organization (TFAO). Since 1997, Resource Library and its predecessor Resource Library Magazine have cumulatively published online 1,300+ articles and essays written by hundreds of identified authors, thousands of other texts not attributable to named authors, plus 24,000+ images, all providing educational and informational content related to American representational art. Texts and related images are provided almost exclusively by nonprofit art museum, gallery and art center sources.

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