Chazen Museum of Art

Madison, WI

608-263-2246

http://chazen.wisc.edu/ or http://www.chazen.wisc.edu/

 



 

Jane Hammond: Paper Work (7/27/07)

With Friends: Six Magic Realists 1940-1965 (8/9/05)

 

Editor's note: On May 6, 2005, the Elvehjem Museum of Art became the Chazen Museum of Art. Please see the Resource Library sub-index page for the Elvehjem Museum of Art for articles and essays prior to the name change.

Please contact the Museum for hours and admission fees.


Google Book Searches conducted in 2008 and 2013 located the following books published in connection with exhibitions at the Museum. Book names may be followed by links to related essays published by Resource Library. See Definitions for more information on finding brochures, catalogues and gallery guides using Traditional Fine Arts Organization's website.

American Indian Art: The Collecting Experience, By Beverly Gordon, Melanie Herzog. Published 1988 by Chazen Museum of Art. 72 pages. ISBN:0932900186. Google Books says: "Even the earliest European explorers to the Americas collected objects made by native people. The ongoing fascination with the artistic and cultural expressions of American Indian people is documented historically, along with a close look at seven midwestern collections. The wide array of art encompassed is handsomely illustrated, and includes pottery, weavings, basketry, beadwork, and carvings.Distributed for the Chazen Museum of Art, University of Wisconsin­Madison." Note: Google Books offers a Limited Preview of this book. For more information on this and other digitizing initiatives from publishers please click here and here.(right: front cover: American Indian Art: The Collecting Experience, image courtesy Google Books)
 
Dudley Huppler: Drawings, By Robert Cozzolino, Published 2002 by Chazen Museum of Art. 101 pages. ISBN:0932900836. Google Books says: "From the 1940s through the 1960s, Dudley Huppler (1917­1988) moved in the brightest literary and artistic circles in New York, Chicago, Boulder, and his native Wisconsin, counting among his friends John Wilde, Sylvia Fein, Harry Partch, George Platt Lynes, Paul Cadmus, Marianne Moore, Glenway Wescott, Tobias Schneebaum, Andy Warhol, and others. Moving between the commercial and fine art worlds, he created windows for Bonwit Teller and advertising art for Parker Pen and Henri Bendel but also exhibited in galleries; was featured in Art News, Flair, and Art Digest; and won fellowships for his art and writing. His work is marked by an unusual, meticulous technique, forming sensual and whimsical images of animals, nature, and the human body from tiny gradations of tonal dots.Distributed for the Chazen Museum of Art, University of Wisconsin­Madison." Note: Google Books offers a Limited Preview of this book. For more information on this and other digitizing initiatives from publishers please click here and here. (left: front cover, Dudley Huppler: Drawings, image courtesy Google Books)
 
Homer Boss: The Figure and the Land, By Susan S. Udell. Published 2002 by Chazen Museum of Art. 72 pages. ISBN:0932900364. Google Books says: "In an adobe home in New Mexico, Homer Boss's (1882­1956) life's work and and accomplishments were revealed to their niece, Susan S. Udell, after his and his wife's death. A multitude of arresting paintings, scrapbooks, papers, and oral histories relating to his New Mexico years, as well as to his influential teaching days at the Independent School of Art and the Art Students League in New York City, flesh out Boss's life and work.Distributed for the Chazen Museum of Art, University of Wisconsin­Madison." Note: Google Books offers a Limited Preview of this book. For more information on this and other digitizing initiatives from publishers please click here and here. (right: front cover, Homer Boss: The Figure and the Land, image courtesy Google Books)
 
Imagery of Dissent: Protest Art from the 1930s and 1960s , By Mary Lee Muller. Published 1989 by Chazen Museum of Art. 56 pages. ISBN:0932900208. Google Books says: "The bold protest images from posters and publications of the 1930s and the 1960s, two decades of upheaval and radical ferment for American Society, are profiled and contrasted.Distributed for the Chazen Museum of Art, University of Wisconsin­Madison." Note: Google Books offers a Limited Preview of this book. For more information on this and other digitizing initiatives from publishers please click here and here. (left: front cover: Imagery of Dissent: Protest Art from the 1930s and 1960s, image courtesy Google Books)
 
150 Years of Wisconsin Printmaking, By Andrew Stevens. Published 1998 by Chazen Museum of Art. ISBN:0932900445. Google Books says: "Catalog of an exhibition held at the Elvehjem Museum of Art, University of Wisconsin-Madison, Nov. 21, 1998-Jan. 10, 1999." Note: Google Books offers a Limited Preview of this book. For more information on this and other digitizing initiatives from publishers please click here and here. (right: front cover, 150 Years of Wisconsin Printmaking, image courtesy Google Books)
 
 
Prints by Richard Bosman, By Andrew Stevens. Published 1989 by Chazen Museum of Art. 80 pages. ISBN:0932900216. Note: Google Books offers a Limited Preview of this book. For more information on this and other digitizing initiatives from publishers please click here and here. (left: front cover: Prints by Richard Bosman, image courtesy Google Books)
 
Makers and Users: American Decorative Arts, 1630-1820, from the Chipstone ..., By Ann Smart Martin. Published 1999 by Chazen Museum of Art. 71 pages. ISBN:0932900461. Google Books says: "American furniture and prints as well as English ceramics from an extraordinary Milwaukee collection tell stories of stylistic change, regional preference, solutions of technological problems, artisan-patron relations in a market economy, the new consumer impulse for more and different furnishings, and how Americans responded to English, European, Asian, and African influences.Distributed for the Chazen Museum of Art, University of Wisconsin­Madison." Note: Google Books offers a Limited Preview of this book. For more information on this and other digitizing initiatives from publishers please click here and here. (right: front cover: Makers and Users: American Decorative Arts, 1630-1820, from the Chipstone ... image courtesy Google Books)
 
Ray Gloeckler: Master Printmaker, By Andrew Stevens, Raymond Gloeckler, Published 2005 by Chazen Museum of Art. 120 pages. ISBN:0932900348. Google Books says: "With a sharp eye for the ludicrous in American society and an abiding sense of humor, Wisconsin artist Ray Gloeckler creates images that lampoon the inflated and celebrate the everyday. This publication goes beyond the Elvehjem's (now Chazen's) 2004 exhibition to publish over 200 prints Gloeckler made from 1955 through 2004.Distributed for the Chazen Museum of Art, University of Wisconsin­Madison." Note: Google Books offers a Limited Preview of this book. For more information on this and other digitizing initiatives from publishers please click here and here. (left: front cover, Ray Gloeckler: Master Printmaker, image courtesy Google Books)
 
Things of Nature And the Nature of Things: John Wilde In the McClain Collection, By Lisa Wainwright. Published 2006 by Chazen Museum of Art. ISBN:0932900984. The Museum describes the books as follows: "Things of nature and the nature of things have informed the work of John Wilde for some seventy years. In painstakingly crafted vignettes of figures and props and still life arrangements, Wilde serves up grand parables on the existential condition of modern man. These are timeless and enduring narratives, drawing on traditions from the northern and early Renaissance periods and Flemish paintings to Symbolist and Surrealist iconography and strategy. Wilde amasses a potpourri of sources and motifs and brings them up to the present moment by setting his compositions in the Wisconsin landscape just outside his studio door. In this exhibition, the McClain collection presents a superb overview of Wilde's oeuvre. It includes the full palette of still lifes, allegorical landscapes, and portraits, and covers the period of Wilde's work from the 1940s to recent work from the 1990s." Note: Google Books offers a Limited Preview of this book. For more information on this and other digitizing initiatives from publishers please click here and here
(right: front cover: Things of Nature And the Nature of Things: John Wilde In the McClain Collection,, image courtesy Google Books)
 
Visions and Revisions: Robert Cumming's Work on Paper, Andrew Stevens. Published 1991 by Chazen Museum of Art. 48 pages. ISBN:0932900291. Google Books says: "This volume presents on paper the work of Robert Cummings which depicts ordinary objects such as chairs, cups, birdhouses, light bulbs and rulers." Note: Google Books offers a Limited Preview of this book. For more information on this and other digitizing initiatives from publishers please click here and here. (left: front cover, Visions and Revisions: Robert Cumming's Work on Paper, image courtesy Google Books)
 
With Friends: Six Magic Realists, By Robert Cozzolino. 174 pages. ISBN:0932900003. The Museum describes the books as follows: "This exhibition catalogue focuses on the art and friendships of the American artists Gertrude Abercrombie, Sylvia Fein, Marshall Glasier, Dudley Huppler, Karl Priebe, and John Wilde. Cozzolino provides insight into a figurative branch of postwar American modernism that has been often neglected in favor of abstract expressionism. Author and guest curator Robert Cozzolino is assistant curator at the Pennsylvania Academy of the Fine Arts." Note: Google Books offers a Limited Preview of this book. For more information on this and other digitizing initiatives from publishers please click here and here. (right: front cover: With Friends: Six Magic Realists, image courtesy Google Books)
 

The potential for the essays in the above books to be placed online for free access by the public is of interest to TFAO. For information on digitizing initiatives from non profit and other organizations please see digitizing initiatives. For information on TFAO's digitizing initiatives please click here for TFAO's grant program for conversion of analog text to digital files and online publication of scholarly texts, here for the Institutional Sources Study Project, here for the Collections-Centric Scholarly Texts Project, and here for Resource Library's Scholarly texts services to Institutions

Links to sources of information outside of our web site are provided only as referrals for your further consideration. Please use due diligence in judging the quality of information contained in these and all other web sites. Information from linked sources may be inaccurate or out of date. Traditional Fine Arts Organization, Inc. (TFAO) neither recommends or endorses these referenced organizations. Although TFAO includes links to other web sites, it takes no responsibility for the content or information contained on those other sites, nor exerts any editorial or other control over them. For more information on evaluating web pages see TFAO's General Resources section in Online Resources for Collectors and Students of Art History.


Why was this sub-index page prepared?

When Resource Library publishes over time more than one article concerning an institution, there is created as an additional resource for readers a sub-index page containing links to each Resource Library article or essay concerning that institution, plus available information on its location and other descriptive information.

Unless otherwise noted, all text and image materials relating to the above institutional source were provided by that source. Before reproducing or transmitting text or images please read Resource Library's user agreement.

Traditional Fine Arts Organization's catalogues provide many more useful resources:

Search Resource Library for thousands of articles and essays on American art.

Copyright 2009 Traditional Fine Arts Organization, Inc., an Arizona nonprofit corporation. All rights reserved.