Online Video: Creating new programming

Online Video - Creating new programming

(above: Fitz Henry Lane, Ships in Boston Harbor, c. 1850, oil on canvas, 11 18 x 18 18 inches, Christies. Public domain, via Wikimedia Commons*)

Applications

With recent advances in the quality of equipment and a rapid drop in price, it is now possible for museums and regional arts organizations to acquire and deploy equipment to record educational lectures, special events, tours, interviews, "behind the scenes" content [1] and other programs of sufficient quality for online video. Prices are also falling for full-service production outsourcing. These advances and cost reductions, coupled with improved online delivery solutions and the lessened cost of video streaming and downloads, now afford many museums the opportunity to record, stream and/or download video content.

Besides exploiting educational opportunities offered by online video, museums seeking to increase visitation, membership and other forms of support will find video a useful part of their marketing programs. Vignettes can be produced for online presentation that:

show positive merits of a museum's surroundings, prompting co-visitation decisions;
introduce collection highlights, plus amenities such as onsite dining facilities and stores;
provide introductions to special exhibitions, membership groups and special events;
showcase testimonials by individuals from publics served by the museum including visitors and members;
feature invitations from influential celebrities.[2]

Notes:

1. Behind the scenes content can include:

narrative by curators on the selection process, biographical context, interviews with artists, and background on art techniques and movements for art objects in the exhibition
narrative by artists on the rationale for and creation of exhibited works
description of any conservation activities conducted prior to the exhibition
narrative by sponsors on the evaluation and decision process leading to financial support
introduction of and narrative by lenders of art works
introduction of the curators and other people involved with the creation of the exhibition
imagery tracking the physical installation of the exhibition

In this general vein the Getty Museum in Los Angeles provides on a web page excellent "Behind the Scenes" contextual content such as individual videos on the thought process of an artist, the installation process of an exhibition and conservation processes.

2. In the Georgia O'Keeffe Museum 2003 Museums of Tomorrow, An Internet Conference symposium Olu Oguibe, a panelist for the topic "Museum Education and Padagogy," said:

Of course, it would be wrong not to acknowledge that there is a trend within museums, in line with their market-oriented evolution, to fall for name-recognition when assembling their exhibitions, which means that celebrities are brought in to form the facade that sells the show. The Brooklyn Museum took the plume in this regard by having David Bowie do the voice introductions for its "Sensation" exhibition, and as someone has pointed out, other museums now prefer such figures to art historians as catalogue contributors. There are two blades to the sword. There is no reason both blades cannot be put to use. Celebrity presence is a good marketing tool and will become more evident with the museum's transformation into a culture mall. However, unless equally knowledgeable, celebrity presence cannot replace the wealth of valuable knowledge that the art historian offers to the museum and its public, even as the art historian no matter how exciting and knowledgeable may not be able to provide the appeal that the celebrity brings. The winning route, it seems, is not either or, but both, and the museum should be able to utilize the specialist depth that the art historians brings, and the marketing appeal that the celebrity curator, collector, director, actor, magician, stunt figure provides if it so chooses.

TFAO suggests that museums wanting videos produced that both educate and compel people to visit their facilities obtain study copies of the popular KCET shows produced by Huell Howser. Mr. Howser's engaging, conversational manner and impromptu interview style captivates viewers and propels them to the California venues he visits. His famous signature series California's Gold is endorsed by a number of organizations including: the California Teachers Association; the California Federation of Teachers; the California State Library Foundation; the California Library Association; the California School Boards Association; the California Council for the Social Studies; and the California Historical Society.

(above: Ernest Lawson, Spring Night, Harlem River, 1913, oil on canvas mounted on panel, 25 x 30 inches, The Phillips Collection. Public domain, via Wikimedia Commons*)

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rev. 8/22/05

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Links to sources of information outside of our web site are provided only as referrals for your further consideration. Please use due diligence in judging the quality of information contained in these and all other web sites. Information from linked sources may be inaccurate or out of date. TFAO neither recommends or endorses these referenced organizations. Although TFAO includes links to other web sites, it takes no responsibility for the content or information contained on those other sites, nor exerts any editorial or other control over them. For more information on evaluating web pages see TFAO's General Resources section in Online Resources for Collectors and Students of Art History.

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