America's Distinguished Artists: last names beginning with Voa-Vyz

America's Distinguished Artists

a national registry of historic artists

Deceased American artists and artisans of note who created representational art are indexed in this catalogue by last name in alphabetical order. There are references to Resource Library texts and those from other sites. Click on letters below to access the alphabetical index.

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Vaa-Van

Vao-Viz

Voa-Vyz

Louis C. Vogt from Resource Library essay (not solely dedicated to this artist by a named author) also see Louis C. Vogt from Cincinnati Art Galleries, LLC

Adalbert John Volck from Resource Library essay (not solely dedicated to this artist by a named author) also see Adalbert John Volck from Wikipedia

Douglas Volk from Resource Library essay (not solely dedicated to this artist by a named author) also see Stephen Arnold Douglas Volk from Wikipedia

(above, Douglas Volk, After the Reception (also exhibited as The Bride), 1887, oil on canvas, Minneapolis Institute of Arts. Public domain, via Wikimedia Commons*)

Leonard Wells Volk from Resource Library essay (not solely dedicated to this artist by a named author) also see Leonard Wells Volk from Wikipedia

Edward Volkert from Resource Library essay (not solely dedicated to this artist by a named author) also see Edward Charles Volkert from Wikipedia

Leon Volkmar from Resource Library article (not solely dedicated to this artist) also see Leon Volkmar from Greenwich Historical Society

Herman Volz from Resource Library essay (not solely dedicated to this artist by a named author) also see Herman Volz from Archives of American Art

Johann Andreas von Alms from Resource Library essay (not solely dedicated to this artist by a named author)

Eugene Von Bruenchenhein from Resource Library article (not solely dedicated to this artist) also see Eugene Von Bruenchenhein from Wikipedia

Bernard Von Eichman from Resource Library essay (not solely dedicated to this artist by a named author) also see Bernard von Eichman from George Stern Fine Arts

Carl von Hassler from Resource Library essay (dedicated solely to this artist by a named author)

William von Herwig from Resource Library article (not solely dedicated to this artist)

(above: William Henry von Herwig, Old Mission, 1924, oil on burlap, 34 x 30 inches. Private Collection.)

Feodor von Luerzer from Resource Library essay (dedicated solely to this artist by a named author)

Carl von Marr from Resource Library essay (dedicated solely to this artist by a named author)

(above: Carl Von Marr, Adoration of the Christ Child, n.d., oil on canvas, Museum of Wisconsin Art. Public domain, via Wikimedia Commons)

Robert Von Neumann from Resource Library essay (dedicated solely to this artist by a named author)

Bessie Potter Vonnoh from Resource Library article (dedicated solely to this artist)

Robert Vonnoh from Resource Library article (not solely dedicated to this artist) also see Robert Vonnoh from Wikipedia

Artwork by Robert Vonnoh

Carl von Perbandt from Resource Library essay (not solely dedicated to this artist by a named author) also see Carl von Perbandt from Wikipedia

Harold Von Schmidt from Resource Library essay (not solely dedicated to this artist by a named author) also see Harold von Schmidt from Wikipedia

Artwork by Harold von Schmidt

Christian Von Schneidau from Resource Library essay (not solely dedicated to this artist by a named author) also see Christian Von Schneidau from Wikipedia

Christian von Schneidau (1893-1976) was a prolific artist whose work spanned various subjects, including portraits, landscapes, and still lifes. Known for his versatility and technical skill, von Schneidau's art reflects a deep engagement with both the natural world and the human experience. His motivations for painting were rooted in his passion for capturing the beauty around him, his dedication to artistic tradition, and his desire to explore the interplay of light and color.

Born in Ljungby, Sweden, von Schneidau emigrated to the United States in 1906, settling in Minnesota before moving to California. His early exposure to art came through his studies at the Art Institute of Chicago and later at the Chicago Academy of Fine Arts. These institutions provided him with a solid foundation in classical techniques and introduced him to the artistic movements of the early 20th century. His education also instilled in him a profound appreciation for the craft of painting, which would define his career.

One of von Schneidau's primary subjects was portraiture. He was renowned for his ability to capture the essence and personality of his subjects. His portraits ranged from notable public figures to everyday people, each rendered with meticulous attention to detail and a keen sensitivity to character. Von Schneidau's portrait work was motivated by his fascination with the human condition and his desire to convey the individuality and dignity of his subjects. Through his portraits, he aimed to create a connection between the viewer and the subject, evoking empathy and understanding.

In addition to portraiture, von Schneidau was deeply inspired by the landscapes of California. After moving to Los Angeles in the early 1920s, he became captivated by the region's diverse and picturesque scenery. He painted the rolling hills, vibrant gardens, and serene coastlines with a focus on the changing light and atmospheric conditions. His landscape paintings are characterized by their luminous color palettes and dynamic compositions, reflecting his Impressionist influences. By capturing the beauty of the natural world, von Schneidau sought to evoke a sense of tranquility and wonder in his viewers.

Von Schneidau's involvement in the California art community was significant. He was an active member of the California Art Club and the Laguna Beach Art Association, both of which played pivotal roles in promoting plein air painting and fostering a vibrant artistic culture in the region. His commitment to these organizations underscored his belief in the importance of community and collaboration among artists. He also taught at various art schools, sharing his expertise and passion for painting with the next generation of artists.

Another notable aspect of von Schneidau's work was his exploration of light and color. Influenced by the Impressionist and Post-Impressionist movements, he was particularly interested in how light interacted with different surfaces and how color could be used to convey mood and atmosphere. This fascination is evident in his still lifes and landscapes, where he often experimented with bold color contrasts and intricate light effects. His technical skill allowed him to create works that were both visually striking and emotionally resonant.

In conclusion, Christian von Schneidau's paintings are a testament to his technical prowess and his deep engagement with the subjects he chose to depict. Whether through his sensitive portraits, luminous landscapes, or vibrant still lifes, he sought to capture the beauty and complexity of the world around him. His motivations were rooted in a profound appreciation for artistic tradition, a fascination with light and color, and a desire to connect with viewers on an emotional level. Von Schneidau's legacy endures through his diverse body of work and his contributions to the California art community, inspiring future generations of artists to explore the rich possibilities of painting.

The above brief essay was generated by AI and edited in July, 2024.

Clark Voorhees from Resource Library essay (dedicated solely to this artist by a named author)

Artwork by Clark Voorhees

Peter Voulkos from Resource Library article (not solely dedicated to this artist) also see Peter Voulkos from Frank Lloyd Gallery

Edouard Antonin Vysekal from Resource Library article (not solely dedicated to this artist) also see Edouard Antonin Vysekal from Los Angeles County Museum of Art

(above: Edouard Vysekal, Sisters, 1922, oil on canvas, 36 ? 34 inches, Irvine Museum. Public domain, via Wikimedia Commons*)

Luvena Vysekal from Resource Library article (not solely dedicated to this artist) also see Luvena Buchanan Vysekal from Stern Fine Art

Vaclav Vytlacil from Resource Library article (not solely dedicated to this artist) also see Vaclav Vytlacil from Sullivan Goss, an American Gallery

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