America's Distinguished Artists: last names beginning with the letter Y

America's Distinguished Artists

a national registry of historic artists

Deceased American artists and artisans of note who created representational art are indexed in this catalogue by last name in alphabetical order. There are references to Resource Library texts and those from other sites. Click on letters below to access the alphabetical index.

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Edmund Yaghjian from Resource Library article (dedicated solely to this artist)

Enid Yandell from Resource Library essay (not solely dedicated to this artist by a named author) also see Enid Yandell from Wikipedia

Sydney J. Yard from Resource Library biography dedicated to this artist by a named author

William Yarrow from Resource Library essay (not solely dedicated to this artist by a named author)

George Yater from Resource Library essay (not solely dedicated to this artist by a named author) also see George David Yater from Wikipedia

Cullen Yates from Resource Library essay (not solely dedicated to this artist by a named author) also see Cullen Yates from Florence Griswold Museum

James Wayne Yazzie from Resource Library article (not solely dedicated to this artist) also see James Wayne Yazzie from Adobe Gallery

Raymond Dabb Yelland from Resource Library article (not solely dedicated to this artist) also see Raymond Dabb Yelland from Crocker Art Museum

(above, Raymond Dabb Yelland, Glimpse of Monterey Bay, 1879, oil, Brigham Young University Art Museum. Photo by Jim Heaphy. Public domain, via Wikimedia Commons*)

Raymond Dabb Yelland, an influential American landscape landscape painter born in 1848, is best known for his serene and evocative depictions of the American West. His works reflect a profound appreciation for the natural world, a commitment to capturing its beauty, and an ability to convey the tranquil majesty of the landscapes he encountered. Yelland's artistic journey was marked by his dedication to realism and his desire to document the unspoiled beauty of the American frontier.

Yelland was born in London, England, but moved to the United States as a child. He studied at the prestigious National Academy of Design in New York, where he honed his skills and developed a keen eye for detail. His early works were influenced by the Hudson River School, a mid-19th-century American art movement known for its romantic and realistic portrayals of nature. However, Yelland's style evolved as he moved to California and became associated with the Barbizon School, which emphasized naturalism and the beauty of ordinary, rural landscapes.

One of Yelland's most significant contributions to American art was his depiction of the California landscape. His paintings, such as "Twilight in the Redwood Forest" and "Eucalyptus Trees in California," capture the tranquil beauty and unique qualities of the West Coast's natural environment. Yelland's use of light and shadow, combined with his meticulous attention to detail, creates a sense of depth and realism that draws viewers into the scene. His motivation for painting these landscapes was driven by a desire to document the region's unspoiled beauty and to share his appreciation for nature with a broader audience.

Yelland's work often focused on the interplay between light and landscape. His ability to capture the subtleties of natural light, whether it be the soft glow of twilight or the bright midday sun, imbued his paintings with a sense of tranquility and timelessness. This approach is evident in works like "Sunset on the Marsh" and "Morning in the Sierras," where the delicate rendering of light creates a mood of peaceful contemplation. Yelland's motivation in these works was to evoke an emotional response from viewers, encouraging them to pause and reflect on the beauty of the natural world.

In addition to his landscapes, Yelland also painted coastal scenes and marine subjects. His paintings of the Pacific coast, such as "Marshes at Sunset" and "Near Point Lobos," are characterized by their dramatic compositions and the artist's ability to capture the dynamic interplay between land, sea, and sky. Yelland's marine paintings often feature rugged coastlines, crashing waves, and expansive skies, reflecting his fascination with the power and beauty of the ocean. His motivation for these works was rooted in a deep appreciation for the majesty of the natural world and a desire to convey its grandeur and power.

Throughout his career, Yelland was committed to teaching and mentoring the next generation of artists. He served as a professor at the California School of Design in San Francisco, where he influenced many young artists and helped shape the development of West Coast art. Yelland's dedication to education was motivated by his belief in the importance of artistic expression and his desire to inspire others to appreciate and document the beauty of the natural world.

In conclusion, Raymond Dabb Yelland's paintings are a testament to his profound appreciation for the natural beauty of the American West. His meticulous attention to detail, masterful use of light, and ability to convey the serene majesty of the landscapes he encountered set his work apart. Yelland's motivation for painting was driven by a deep love for nature, a desire to document its beauty, and a commitment to inspiring others to see and appreciate the world around them. His legacy as an artist and educator continues to influence and inspire generations of artists and nature enthusiasts.

The above brief essay was generated by AI and edited in July, 2024.

Karl Julius H. Yens from Resource Library article (not solely dedicated to this artist) also see Karl Yens from Wikipedia

(above: Karl Yens, The Ride with a Snap, Venice, California, 1918, oil on canvas, 40.25 x 50.25 inches, Laguna Art Museum. Gift of Mrs. John Grier. Image courtesy of Laguna Art Museum.)

Additional artwork by Karl Yens

Genjiro Yeto from Resource Library article (not solely dedicated to this artist) also see Genjiro Yeto from The Greenwich Historical Society

George Henry Yewell from Resource Library essay (not solely dedicated to this artist by a named author) also see George Henry Yewell from Special Collections & University Archives, The University of Iowa Libraries

(above: George Henry Yewell, Self Defense, 1854, oil on canvas, High Museum of Art. Public domain, via Wikimedia Commons*)

Joseph E. Yoakum from Resource Library essay (dedicated solely to this artist by a named author)

Frederick Coffay Yohn from Resource Library essay (not solely dedicated to this artist by a named author) also see Frederick Coffay Yohn from Wikipedia

Louise Dunn Yochim from Resource Library essay (not solely dedicated to this artist by a named author) also see Louise Dunn Yochim from Richard Norton Gallery LLC

Douglas Yolk from Resource Library essay (not solely dedicated to this artist by a named author) also see Douglas Yolk from Wikipedia

Art Young from Resource Library article (not solely dedicated to this artist) also see Arthur "Art" Young from Wikipedia

Charles Morris Young from Resource Library article (not solely dedicated to this artist) also see Charles Morris Young from Florence Griswold Museum

Ellsworth Young from Resource Library article (not solely dedicated to this artist) also see Ellsworth Young from Wikipedia

Harvey Otis Young from Resource Library article (not solely dedicated to this artist) also see Harvey Otis Young from Questroyal Fine Art

(above: Harvey Otis Young, Prairie Schooner, c.1898, oil and gouache on pebble board, 19 13/16 x 28 5/8 inches, Denver Art Museum: gift of Mrs. John Campion, 1947.10)

Henry Young from Resource Library essay (not solely dedicated to this artist by a named author) also see Arthur Henry Young from Smithsonian Libraries

John J. Young from Resource Library article (not solely dedicated to this artist) also see John J. Young from Art of the Print

Mahonri Young from Resource Library article (not solely dedicated to this artist) and Mahonri Mackintosh Young from Wikipedia

Artwork by Mahonri MacIntosh Young

Purvis Young from Resource Library article (not solely dedicated to this artist) also see Purvis Young from Wikipedia

John Young-Hunter from Resource Library essay (not solely dedicated to this artist by a named author) also see John Young-Hunter from J. Mark Sublette, Medicine Man Gallery, Inc.

Artwork by John Young-Hunter

Gay Youse from Resource Library article (dedicated solely to this artist)

Si Chen Yuan from Resource Library essay (not solely dedicated to this artist by a named author) also see Si-Chen Yuan from Estate of S.C. Yuan

As of 8/28/21 this letter is updated through Si Chen Yuan

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