Author Study and Index

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(above: Evelyn McCormick (United States, California, Placerville, 1869 - 1948), Carmel Valley Pumpkins, c. 1907, oil on canvas, 32 x 39 inches, Los Angeles County Museum of Art. Purchased with funds provided by Robert and Kelly Day. Public domain, via Wikimedia Commons*)

 

 

Christine Oaklander

"Surprising Modernist: Henry Fitch Taylor" American Art Review July-August 2005 (Volume XVII, Number 4)

 

Francis V. O'Connor

"The New Deal Art Projects in New York" American Art Journal ( vol. 1, no. 2; 1969)

 

Brian O'Doherty

"National Endowment for the Arts: The Visual Arts Program" American Art Review July-August 1976 (Volume III, Number 4)

William T. Oedel

Edward Lamson Henry, 1841-1919 The Peddler, 1879; essay by William T. Oedel (1/14/02)

 

Kate Nearpass Ogden

Magazine Antiques Yosemite in nineteenth-century prints, Nov, 1997 by Kate Nearpass Ogden [Link found expired as of 11/7/11 audit. Source may contain this content via a revised URL. We are saving this citation for your reference]

From Cape May to Cairo; essay by Kate Nearpass Ogden (4/25/08)

"The Work of George Washington Nicholson" American Art Review, July-August 2008 (Volume XX, Number 4)

 

James O'Gorman

"Painting at Gloucester" American Art Review September-October 1973 (Volume I, Number 1)

 

Virginia O'Hara

Animals in the Gallery, with article by Virginia O'Hara (3/23/05)

 

John D. O'Hern

Re-presenting Representation V; introductory essay by John D. O'Hern (5/1/02)

Thomas Paquette: Traversed Lands; essay by John D. O'Hern (12/6/04)

 

James Oles

American Art Review "South of the Border: Mexico in the American Imagination, 1914-1947" February-March 94 (status)

 

Ann and Ted Oliver

Outsider Visions: Self-Taught Southern Artists of the 20th Century, with essays by Kelli Bodle and Ann and Ted Oliver (10/7/11)

 

Ronald J. Onorato

"Photography and Teaching: Eakins at the Academy" American Art Review July-August 1976 (Volume III, Number 4)

 

Kimberly Orcutt

"William Merritt Chase and Robert Henri" American Art Review January-February 2007 (Volume XIX, Number 1)

 

Richard Ormond

"John Singer Sargent" American Art Review July-Auguut 1999 (Volume XI, Number 4)

Sargent Abroad: Figures and Landscapes, By Warren Adelson, Donna Janis, Elaine Kilmurray, Richard Ormond, and Elizabeth Oustinoff, Published 1997. ISBN: 978-0-7892-0384-7. (online book excerpt available from Abbeville Press) (right: catalogue front cover courtesy Abbeville Press)

 

William J. Orr

A Journey Through the Nebraska Region in 1833 and 1834: From the Diaries of Prince Maximilian of Wied Translated by William J. Orr, Edited by William J. Orr and Joseph C. Porter [Introduction] (10/6/03)

 

Miles Orvell

"Weegee's Voyeurism and the Mastery of Urban Disorder" American Art (Vol. 6, No. 1; Winter 1992)

 

Carol M. Osborne

"Arthur Putnam, Animal Sculptor" American Art Review September-October 1976 (Volume III, Number 5)

Frank Duveneck & Elizabeth Boott Duveneck: An American Romance, by Carol M. Osborne (4/29/01)

 

Ellen Osborne

American Art Review "Bayou Bend Collection and Gardens: Renovation and Restoration" Fall 93 (status)

 

Judith Hansen O'Toole

"Valley of Work: Scenes of Industry in Western Pennsylvania" American Art Review February-March 96, (status);

"George Luks: The Watercolors Rediscovered" American Art Review June-July 95 (status)

George Luks : An Artistic Legacy; essay by Judith Hansen O'Toole (4/19/01)

Nature's Bounty: Still Life Painting in Southwestern Pennsylvania, 1860-1910; essay by Judith Hansen O'Toole (7/21/01)

Pennsylvania Painters and the Roots of Realism, essay by Judith Hansen O'Toole (8/2/01)

"Different Views in Hudson River School Painting" American Art Review July-August 2005 (Volume XVII, Number 4)

Different Views in Hudson River School Painting; text by Judith Hansen O'Toole (4/14/08)

Valley of Work: Scenes of Industry in Western Pennsylvania; text by Judith Hansen O'Toole (8/25/08)

Treasures from the Westmoreland Museum; text by Judith Hansen O'Toole & Carla S. Herling (8/25/08)

Scenic Views: Painters of the Scalp Level School Revisited; text by Judith Hansen O'Toole (11/17/08)

George Luks: The Watercolors Rediscovered; essay by Judith Hansen O'Toole (11/24/08)

 

Judith Hansen O'Toole & Carla S. Herling

"Treasures from the Westmoreland Museum of American Art" American Art Review January-February 1999 (Volume XI, Number 1)

Treasures from the Westmoreland Museum; text by Judith Hansen O'Toole & Carla S. Herling (8/25/08)

 

Barbara L. Jones & Judith H. O'Toole

"Painting in the United States 2008" American Art Review, September-October 2008 (Volume XX, Number 5)

 

Judith Hansen O'Toole with Kevin O'Toole

"Still-Life Painting in Southwestern Pennsylvania" American Art Review July-August 2001 (Volume XIII, Number 4)

 

Klaus Ottmann

"An Unfinished Quality": Fairfield Porter's Creative Process, essay by Klaus Ottmann (5/14/10)

 

Elizabeth Oustinoff

Magazine Antiques Madame X speaks - Cover Story, Nov, 2003 by Deborah Davis, Elizabeth Oustinoff [Link found expired as of 11/7/11 audit. Source may contain this content via a revised URL. We are saving this citation for your reference]

Elise Outerbridge

"American Artists in Bermuda" American Art Review, July-August 2008 (Volume XX, Number 4)

 

Carlotta J. Owens

"Audubon's Dream Realized: 'The Birds of America'" American Art Review September-October 2005 (Volume XVII, Number 5)

 

(above:  Lucy Bacon, Garden Landscape, 1895, Fine Arts Museums of San Francisco. Public domain, via Wikimedia Commons*)

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