America's Distinguished Artists: last names beginning with Rid-Rnz

America's Distinguished Artists

a national registry of historic artists

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Deceased American artists and artisans of note who created representational art are indexed in this catalogue by last name in alphabetical order. There are references to Resource Library texts and those from other sites. Click on letters below to access the alphabetical index.

Arthur Grover Rider from Resource Library article (not solely dedicated to this artist) also see Arthur Grover Rider from Laguna Art Museum

(above: Arthur Grover Rider, Rain on the Hills (California Landscape), c. 1930, oil on canvas, 30 x 35 inches, Laguna Art Museum. Gift of Robert McChesney Bethea. Image courtesy of Laguna Art Museum.)

Arthur Grover Rider, a prominent American painter of the early 20th century, distinguished himself through his serene landscapes and atmospheric depictions of California's natural beauty. Born in Chicago in 1886, Rider displayed an early aptitude for art and pursued formal training at the Art Institute of Chicago. His artistic journey led him to California, where he became captivated by the state's diverse landscapes and vibrant light.

Rider's choice of subject matter primarily centered around landscapes, particularly those of California. His paintings often depicted the tranquil valleys, rugged coastlines, and majestic mountains of the state. He was particularly drawn to the interplay of light and shadow in these landscapes, which he captured with a keen eye for atmospheric effects.

One of the defining characteristics of Rider's art was his ability to convey a sense of tranquility and serenity in his paintings. Influenced by the Tonalist movement, he employed a muted color palette and subtle tonal variations to create a sense of harmony and quietude in his compositions. His brushwork was delicate and precise, capturing the subtle nuances of nature with remarkable sensitivity.

Rider's passion for painting landscapes was driven by a deep appreciation for the beauty of California's natural environment. He believed in the power of art to evoke emotion and inspire contemplation, and he sought to capture the timeless and ephemeral qualities of nature in his paintings. His works often conveyed a sense of reverence for the land and invited viewers to connect with the spiritual essence of the natural world.

Beyond his technical skill and artistic vision, Rider's paintings were also a reflection of his personal experiences and observations. He spent much of his life exploring the landscapes of California, sketching en plein air and studying the effects of light and atmosphere. This firsthand knowledge of the state's diverse terrain allowed him to imbue his paintings with a sense of authenticity and emotional depth.

Throughout his career, Rider's dedication to capturing the essence of California's landscapes earned him critical acclaim and recognition within the artistic community. His works were exhibited widely across the United States and received numerous awards and honors. Today, Rider's paintings continue to resonate with viewers for their tranquil beauty, technical proficiency, and timeless portrayal of California's natural wonders.

In conclusion, Arthur G. Rider's decision to paint California's landscapes was driven by a deep-seated passion for the beauty of nature and a desire to convey its spiritual and aesthetic qualities through his art. His paintings serve as a testament to his artistic vision, technical skill, and enduring legacy as a masterful painter whose works continue to inspire and evoke a sense of wonder in viewers around the world.

Note: The preceding brief essay was generated by AI, based from our online materials, and edited by us in July 2024.

William Riddell from Resource Library essay (not solely dedicated to this artist by a named author)

Ada Rigden from Resource Library essay (not solely dedicated to this artist by a named author) also see Ada Rigden from Sharlot Hall Museum - Library & Archives

Robert Riggs from Resource Library article (not solely dedicated to this artist) also see Robert Riggs from Illustration Art

Frederick W. Rigley from Resource Library article (not solely dedicated to this artist) also see Fred Rigley from Fine Estate Art

Art Riley from Resource Library essay (not solely dedicated to this artist by a named author) also see Art Riley from California Watercolor Gallery

William Rimmer from Resource Library article (not solely dedicated to this artist) also see William Rimmer from Wikipedia

(above: William Rimmer, Scene from the Tempest, c. 1850, oil on canvas, 91.4 x 66.0 cm, Detroit Institute of Arts. Public domain, via Wikimedia Commons*)

Peter Rindisbacher from Resource Library essay (not solely dedicated to this artist by a named author) also see Peter Rindisbacher from Wikipedia

C. S. Rinehart from Resource Library essay (not solely dedicated to this artist by a named author) also see Charles Stanley Reinhart from Wikipedia

Frank Rinehart from Resource Library essay (not solely dedicated to this artist by a named author) also see Frank Rinehart from Wikipedia

William Henry Rinehart from Resource Library article (not solely dedicated to this artist) also see William Henry Rinehart from Wikipedia

Aiden Lassell Ripley from Resource Library essay (dedicated solely to this artist by a named author)

Robert Rishell from Resource Library article (not solely dedicated to this artist) also see Robert Clifford Rishell from Bodega Bay Heritage Gallery

Louis Ritman from Resource Library article (not solely dedicated to this artist) also see Louis Ritman from M. Christine Schwartz Collection

William Ritschel from Resource Library biography dedicated to this artist by a named author, also see William Frederick Ritschel from Wikipedia

(above: William Ritschel, Monterey Coast, after 1911, oil on canvas, Dayton Art Institute. Public domain, via Wikimedia Commons*)

Henry Rittenberg from Resource Library essay (not solely dedicated to this artist by a named author) also see Henry R. Rittenberg from Questroyal Fine Art

Louis Ritter from Resource Library essay (not solely dedicated to this artist by a named author) also see Louis Ritter from Terra Foundation for American Art

(above: Louis Ritter, Capri, c. 1889, watercolor with graphite pencil on paper, 10.6 x 14.6 inches, Brooklyn Museum, Purchased with funds given by Mr. and Mrs. Leonard L. Milberg, 85.177. Public domain, via Wikimedia Commons*)

Larry Rivers from Resource Library article (dedicated to this artist) also see Larry Rivers from Wikipedia

Frances E. Rives from Resource Library biography dedicated to this artist by a named author

Julian Rix from Resource Library article (not solely dedicated to this artist) also see Julian Walbridge Rix from Society of California Pioneers

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