America's Distinguished Artists

a national registry of historic artists

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Deceased American artists and artisans of note who created representational art are indexed in this catalogue by last name in alphabetical order. There are references to Resource Library texts and those from other sites. Click on letters below to access the alphabetical index.

 

Raa-Raz

Rba-Rgz

Rha-Ric

Rid-Rnz

Roa-Roo

Rop-Ryz

 

Samuel Robb from Resource Library article (not solely dedicated to this artist) also see Samuel A. Robb from Smithsonian American Art Museum

Belle Bogardus Robbins from Resource Library article (not solely dedicated to this artist)

Ellen Robbins from Resource Library article (not solely dedicated to this artist) also see Ellen Robbins from Chicago Botanic Garden

Horace W. Robbins from Resource Library article (not solely dedicated to this artist) also see Horace Wolcott Robbins from White Mountain Art & Artists

Lucy Lee Robbins from Resource Library essay (not solely dedicated to this artist by a named author) also see Lucy Lee Robbins (van Rinkhuyzen) from Kathleen L. Nichols, Pittsburg State University

Eleanor Roberts from Resource Library article (not solely dedicated to this artist)

Elizabeth Wentworth Roberts from Resource Library article (not solely dedicated to this artist) also see Elizabeth Wentworth Roberts from Wikipedia

 

(above: L. A. Roberts, Yosemite Valley, early 20th century, oil on canvas, Cincinnati Art Museum, Gift of Mary M. Clift, M.D. Public domain, via Wikimedia Commons*)

 

Richard Samuel Roberts from Resource Library article (dedicated solely to this artist)

Archibald Robertson from Resource Library essay (not solely dedicated to this artist by a named author) also see Archibald Robertson From Google Books search, McClure's Magazine, Published 1896, S.S. McClure. Original from the University of Michigan. v.8 1896-1897 Nov-Apr - Page 507

Adelaide Alsop Robineau from Resource Library essay (not solely dedicated to this artist by a named author) also see Adelaïde Alsop Robineau from Wikipedia

Boardman Robinson from Resource Library essay (not solely dedicated to this artist by a named author) also see Boardman Robinson from Wikipedia

Charles Dormon Robinson from Resource Library essay (not solely dedicated to this artist by a named author) also see Charles Dormon Robinson  from Wikipedia

 

(above: Charles Dormon Robinson, Crests of the Sierra, 1909. Oil on canvas. Crocker Art Museum, gift of Lillian M. Robinson, conserved with funds provided by Alfred C. Harrison, Jr., North Point Gallery, San Francisco, 1950.18. Public domain, via Wikimedia Commons*)

 

Charles Dormon Robinson, a pivotal figure in the world of American landscape painting, is celebrated for his captivating depictions of California's dramatic scenery. Born in Maine in 1847, Robinson moved to California in his youth and found inspiration in the state's diverse and picturesque landscapes. His work, characterized by its vibrant colors, meticulous detail, and dynamic compositions, captures the grandeur and beauty of the American West. Understanding what Robinson painted and why he did it involves examining his background, influences, and the cultural context of his time.
 
Early Life and Artistic Development
 
Robinson's artistic journey began in San Francisco, where he studied under the German landscape painter, Virgil Macey Williams (image at America's Distinguished Artists page 2 of Wha-Wiz), and later at the California School of Design. His early exposure to the natural beauty of California, combined with rigorous academic training, provided a strong foundation for his artistic career. Robinson's works reflect a deep appreciation for the landscaapes around him, with a particular focus on the dramatic coastlines, majestic mountains, and lush forests of the region.
 
Focus on California Landscapes
 
Robinson's most celebrated works depict the stunning and varied landscapes of California. Paintings such as "Muir Woods," "Mount Tamalpais," and "Golden Gate" showcase his ability to capture the unique light and atmosphere of the region. His use of vibrant colors and meticulous attention to detail bring these scenes to life, allowing viewers to experience the beauty and majesty of California's natural wonders. Robinson's landscapes are not merely representations of physical places but are imbued with a sense of awe and reverence, reflecting his personal connection to the land.
 
Motivations and Themes
 
Robinson was motivated by a deep love for the natural world and a desire to capture its beauty on canvas. His works convey a profound sense of place, capturing the essence of the landscapes he painted. This connection to nature is evident in his meticulous attention to detail and his ability to convey the atmosphere and mood of a scene. Robinson's paintings often feature dramatic contrasts between light and shadow, creating a sense of depth and dimension that draws viewers into the scene.
 
Another significant motivation for Robinson was his desire to document and celebrate the natural beauty of California. During the late 19th and early 20th centuries, California was undergoing rapid development and urbanization, and Robinson's works serve as a visual record of the state's landscapes before they were altered by human activity. His paintings highlight the intrinsic value of these natural wonders, emphasizing the importance of preserving them for future generations.
 
Robinson was also influenced by the broader cultural movement of American landscape painting, which celebrated the sublime beauty of the natural world. His works reflect the influence of the Hudson River School and the American Romantic tradition, with their emphasis on the grandeur and majesty of nature. This cultural context provided a framework for Robinson's artistic vision, allowing him to create works that were both technically masterful and emotionally resonant.
 
Legacy and Influence
 
Charles Dormon Robinson's legacy lies in his ability to capture the beauty and majesty of California's landscapes. His works are celebrated for their technical skill, vibrant colors, and dynamic compositions, and they continue to inspire viewers with their depiction of the natural world. Robinson's influence can be seen in the subsequent generations of landscape painters who were inspired by his ability to capture the essence of the American West.
 
In conclusion, Charles Dormon Robinson painted California's landscapes to express his deep love for the natural world and to celebrate the beauty and grandeur of the region. His works, characterized by their vibrant colors and meticulous detail, reflect both his personal connection to the land and his broader cultural influences. Through his paintings, Robinson invites viewers to experience the majesty and wonder of California's landscapes, leaving a lasting legacy in the world of American landscape painting. His work serves as a testament to the enduring power of nature to inspire and uplift the human spirit.
 
The above brief essay was generated by AI and edited in July, 2024

 

Increase Robinson from Resource Library essay (not solely dedicated to this artist by a named author) also see Increase Robinson from Illinois Historical Art Project

Isabel Robinson from Resource Library article (dedicated solely to this artist)

Jay Robinson from Resource Library essay (dedicated solely to this artist by a named author)

Mary Yandes Robinson from Resource Library essay (not solely dedicated to this artist by a named author) also see Mary Yandes Robinson from Fine Estate Art

Theodore Robinson from Resource Library essay (dedicated solely to this artist by a named author)

 

(above: Theodore Robinson, At the Fountain, c. 1890, oil on canvas, 32 x 26 inches, Arkell Museum. Public domain, via Wikimedia Commons*)

 

Aditional paintings by Theodore Robinson

 

William Robinson from Resource Library essay (not solely dedicated to this artist by a named author) also see William Robinson from Florence Griswold Museum

Noel Rockmore from Resource Library article (not solely dedicated to this artist) also see Noel Rockmore from Wikipedia

Cleveland Rockwell from Resource Library essay (not solely dedicated to this artist by a named author) also see Cleveland Rockwell from Wikipedia

 

(above: Cleveland S. Rockwell, Mount Rainier From the Mouth of the Nisqually River, 1891, watercolor, NOAA Photo Library. Public domain, via Wikimedia Commons*)

 

Norman Rockwell from Resource Library articles and essay (dedicated solely to this artist)

 

(above: Norman Rockwell, Fishing Trip, They'll Be Coming Back Next Week, 1919, oil on canvas, 29 x 29 inches, Norman Rockwell Museum. Public domain, via Wikimedia Commons*)

 

Aditional paintings by Norman Rockwell

 

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